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Chinese Historical Society of America Photography Workshops Set to Support “A Day of the Life of Asian Pacific America” Smithsonian/flickr online exhibit

Chinese Historical Society of America

Chinese Historical Society of America Photography Workshops Set to Support “A Day of the Life of Asian Pacific America” Smithsonian/flickr online exhibit

www.chsa.org

Media Contact: DP&A, Inc. / David Perry (415) 693-0583 / news@davidperry.com

12 March 2014 – San Francisco, CA: The Chinese Historical Society of America (www.chsa.org) is proud to present two workshops on documentary photography in support of the Smithsonian Asian Pacific American Center’s “A Day in the Life of Asian Pacific America” online photo/video exhibition set for May 2014.

The project will collect thousands of photographs about Asian Pacific American daily life taken on May 10, 2014 and produce an exhibit at http://apa.si.edu by May 26, 2014. Over 50 professional photojournalists, documentary film/video makers, and artists are participating in the project along with thousands of photo enthusiasts of all ages and backgrounds.

CHSA Executive Director Sue Lee is thrilled about the project, saying, “This is a great opportunity for artists to participate in, showcasing their work through the Smithsonian’s exhibition, and I’m so happy that CHSA could host workshops for such an event.”

The workshops will be on Saturday, April 5 at the CHSA Learning Center, 965 Clay Street, San Francisco from 2pm to 4pm. Photographers Leon Sun, Laura Ming Wong, and Leland Wong will present slides of their documentary photography and discuss how they approach their work.

A second workshop will be held on Saturday, April 12 at the same location. This workshop will feature photographers Lenore Chinn, Bob Hsiang, and James Sobredo.

Both workshops will be moderated by Eddie Wong, guest curator for the “A Day in the Life of Asian Pacific America” online photo/video exhibition. He will answers questions about how to join the project and upload photos and videos to the Smithsonian Flickr group.

The workshops are free and open to the public. Come learn about documentary photography and join this national and international effort to reflect upon Asian Pacific American life. For more information about the project, visit http://SmithsonianAPA.org/life2014.pdf.

For more information about CHSA, call 415-391-1188 x101 or email info@chsa.org.

Additional information on the photographers, curator and presenting organizations:

Leon Sun

My photojournalism experience began with covering the Anti-War and the Asian American Movement in the 1970s. I have taught photography classes for youth in Los Angeles Chinatown and at the Community Asia Art & Media Project (CAAMP) in Oakland. From the 80s–90s I worked as a photographer for Unity Newspaper and East Wind Magazine, where I was also Art Director. In the early 1990s I did a self-directed project of photographing San Francisco Chinatown from the street. I retired as photographer and graphic designer from the city of Richmond, CA, in 2003.

Laura Ming Wong

Laura Wong is a documentary, portrait, and wedding photographer, specializing in people and location photography. Her subjects range from women in fighting sports, to the Bay Area’s activist and protest culture, to the locals she meets while traveling outside of her home in Oakland, California.

Laura’s work appears in a number of Bay Area news publications and magazines. Recently she has contributed images to an art exhibition about subverting stereotypes against Asian Americans, and a documentary in production about an aging yet active community of punk rock musicians.

Leland Wong

Leland Wong was born raised in San Francisco’s Chinatown. He grew up in a curio shop surrounded by colorful Asian art. His father, Suey Wing Wong’s interest in art encouraged him to pursue it.

In addition to being an artist, Wong began his photography career while he was a junior in high school. He began at a crucial time when the Civil Rights Movement, urban riots, the Vietnam War, and strikes on college campuses were happening. Social issues were being raised in San Francisco’s Chinatown and it enabled him to view his community with a unique photographic vision.

Wong went on to study photography at San Francisco State University where he earned a Bachelor of Fine Arts degree. His photography and artwork have been widely publicized and exhibited. He has taught workshops and worked with various community arts organizations. He has also traveled and photographed extensively in Asia.

Wong continues to photograph and pursue his art. He is currently an artist in residence at the Chinese Historical Society of America.

Lenore Chinn

Lenore Chinn is a San Francisco based artist who focuses on the depiction of a wide spectrum of people in all their diversity and color.

Portraiture is at the core of her visual art practice whether it is painting or photography—both are employed in her creative process.

A moment in time spontaneously captured by her digital camera, transmitted to acrylic on canvas, conveyed in modern archival print or shared on Facebook, these images document everyday life.

As a body of work they are visual narratives that constitute an art history largely hidden from the public’s perception of society and our particular collective experience.

Bob Hsiang

I was born and raised in New York City. My interest in photography began while in middle school when my brother showed me how to develop film in the bathroom. In high school I took photographs and learned how to shoot 35mm film.

While attending college at SUNY at Buffalo, I continued my photography self-education as the editor of the school newspaper covering various events. At that time, protests against the Vietnam War became front-page news. After graduation, I continued to photograph student and worker activism in NYC, joining the Asian American Movement. Then in 1974, I moved to San Francisco and began photographing various political and cultural activities associated with the Third World Liberation movements, Asian American awareness and the International Hotel struggle for low-income housing. Since I needed a real job, I started freelancing my work, sustaining my small family with various photography jobs.

Consequently, I built a business that centered around my strengths as a shooter— mainly art & cultural events, portraiture, studio work. Today I operate a studio in San Francisco and service both the corporate and not-for-profit organizations.

James Sobredo

James Sobredo is an Associate Professor of Ethnic Studies, Asian American Studies Program, at California State University in Sacramento. He has a Ph.D. from UC Berkeley in Ethnic Studies. A multimedia documentarian and social documentary photographer for 20 years, his graphics, photographs and articles have appeared in The New York Times, AsianWeek and magazines such as Filipinas and Pacific. An avid long-distance backpacker and mountaineer, Sobredo is also a practitioner of Vispassana Buddhism.

Eddie Wong, workshop moderator

Eddie Wong is one of the founders of Visual Communications, a non-profit media company that produced books, slide shows, photo exhibits and films about the Asian American and Pacific Islander experiences. He directed and produced the following documentary films: Wong Sinsaang, Pieces of a Dream, Chinatown Two-Step, Something is Rotten in Little Tokyo, and the Sound of Pleasure.

He also served as the Executive Director of NAATA/Center for Asian American Media and the Executive Director of the Angel Island Immigration Station Foundation. Now that Eddie has retired, he has more time to take photographs and explore art projects.

Smithsonian Asian Pacific American Center

The Smithsonian Asian Pacific American Center serves as the national resource for discovering the consequence and complexity of the Asian Pacific American experience through collaboration, exhibitions, programs and digital experiences. The vision of the Center is to enrich the appreciation of America’s Asian Pacific heritage and empower Asian Pacific American communities in their sense of inclusion within the national culture. More information at apa.si.edu.

Chinese Historical Society of America

The Chinese Historical Society of America Museum is the oldest and largest organization in the country dedicated to the interpretation, promotion, and preservation of the social, cultural and political history and contributions of the Chinese in America. CHSA promotes the contributions and legacy of the Chinese in America through its exhibitions, publications, and educational and public programs in the Museum and Learning Center. The CHSA Museum is housed in the landmark Julia Morgan-designed Chinatown YWCA building at 965 Clay Street, San Francisco. More information at chsa.org.

36th Annual San Francisco Ethnic Dance Festival: June 5 – 29, 2014

Port of San Francisco

36th Annual San Francisco Ethnic Dance Festival: June 5 – 29, 2014

Classical Indian sattriya dance, return of kathakali after 35 year absence, Nelson Mandela Tribute and announcement of Pan-Pacific International Exposition Centennial details among highlights of annual event featuring over 300 dancers and 31 internationally-focused dance companies

www.sfethnicdancefestival.org

Media contact: David Perry & Associates, Inc / (415) 693-0583 / news@davidperry.com

26 February 2014 – San Francisco, CA: One of the world’s greatest gatherings of dance artists returns to San Francisco this year, June 5 – 29, at the 36th annual San Francisco Ethnic Dance Festival (www.sfethnicdancefestival.org ). Audiences will thrill to 31 extraordinary dance companies and over 300 dancers and musicians at the wildly anticipated event, highlighting the rich cultural and artistic diversity of the Bay Area.

Classical Indian sattriya dance, the first Festival performance of kathakali since 1978, a special Nelson Mandela Tribute at San Francisco City Hall, and the announcement of details about next year’s Pan-Pacific International Exposition Centennial are among the highlights of this year’s Festival. In addition, Indian Consul General Nagesh Parthasarathi will present Katherine and K.P. Kunhiraman with the Festival’s annual Malonga Casquelourd Lifetime Achievement Award at the June 14 evening performance.

“Kathakali dance is at risk of being lost forever and K.P. Kunhiraman is one of the few people alive who are sustaining this transcendent cultural tradition,” said Julie Mushet, Executive Director of the San Francisco Ethnic Dance Festival, noting that this year’s Festival will mark K.P. Kunhiraman’s final U.S. appearance. “K.P. Kunhiraman’s departure raises many questions about the future of dance and how, and even if, cultural traditions will be passed to the next generation, as they have been for millennia.”

Of all of the classical Indian dance forms, kathakali is the most stylized and is often compared to the kabuki tradition of Japan, especially in regards to the elaborate make-up worn by the performers. After this year’s Festival, K.P. Kunhiraman will be returning to India at the end of June after an illustrious 67-year career to live out his final years in his homeland.

Also as part of this year’s events, Festival artistic directors Carlos Carvajal and CK Ladzekpo will announce plans to celebrate the Centennial of the Panama-Pacific International Exposition with two weekends of performances in February 2015 at the Palace of Fine Arts, the Festival’s home for more than 25 years and the only remaining grand structure from the 1915 Exposition. Further details about the Centennial celebration and the twenty groups performing on the Festival stage will be released soon.

Since its inauguration in 1978, the San Francisco Ethnic Dance Festival has maintained its preeminent scope and reputation as one of the most comprehensive, widely respected, diverse, and engaging events of its kind in the world.

Following is an overview of the 2014 / 36th Annual San Francisco Ethnic Dance Festival and list of artists.

June 5 – 8: The 36th annual San Francisco Ethnic Dance Festival opens on June 5 at San Francisco City Hall with a tribute to late South African leader Nelson Mandela as part of the free Rotunda Dance Series. Concurrently, there will follow a series of workshops and panel dialogues throughout the Bay Area.

June 14 – 29: The Festival continues at Yerba Buena Center for the Arts with three weekends of classic Festival performances, featuring a different group of performers on the stage of the Yerba Buena Center for the Arts Theater each weekend. As always, audiences will experience an inspiring lineup of Bay Area artists and musicians collectively sustaining important cultural heritage from around the world, including Bali, Bolivia, Brazil, China, Congo, Hawai`i, India, Lebanon, Mexico, Okinawa, Peru, the Philippines, South Africa, Tahiti, the continental United States, and West Africa. Audiences will have the chance to see 10 world premiere performances and 16 Festival debuts, including the wildly-popular Academy of Hawaiian Arts. Each weekend’s program is a different lineup and includes nine or ten dance performances in a two-hour show, with numerous cross-cultural, collaborative and transitional pieces.

Shining a spotlight on classical Indian dance, June 14 – 15: This year’s Festival includes a special weekend of performances where audiences can watch all eight classical Indian dance forms together on one stage for the first time in the United States. While the Festival has often featured four of the classical Indian forms—bharatanatyam, kathak, kuchipudi, and odissi—rarer are the remaining four: kathakali, manipuri, mohiniyattam, and sattriya. This weekend of Indian classical dance performances is presented in partnership with Sangam Arts, a Bay-Area non-profit dedicated to connecting cultures through Indian classical arts. More detailed information about the classical Indian dance forms can be found at: www.sangamarts.org. This will be the first time that sattriya dance will be seen on the Festival stage. Kathakali dance was featured only once in the Festival’s 36 year history, in the very first San Francisco Ethnic Dance Festival program in June 1978. The performers were Katherine and K.P.Kunhiraman of Berkeley, CA.

Indian Consul General Nagesh Parthasarathi will present Katherine and K.P. Kunhiraman with the Festival’s annual Malonga Casquelourd Lifetime Achievement Award at the June 14 evening performance.

2014 San Francisco Ethnic Dance Festival Artists:
Academy of Hawaiian Arts* – Hawaiian kahiko
Alafia Dance Ensemble – Brazilian traditional
Azama Honryu Seifu Ichisen-kai Kinuko Mototake Ryubu Kenkyu-jo USA* – Okinawan classical
Bal Anat – Egyptian Folkloric (Festival Rotunda Dance Series performance – November)
Ballet Folklórico Compañía Mexico Danza – Mexican folkloric (Guerrero)
Bolivia Corazón de América – Afro-Bolivian
Lily Cai Chinese Dance Company – Chinese contemporary
Chitresh Das Dance Company – Indian kathak
De Rompe y Raja – Asociación Cultural Kanchis Alliance – Afro-Peruvian
Diamano Coura West African Dance Company – West African traditional
Dimensions Dance Theater – South African traditional
Guru Shradha* – Indian odissi
Jubilee American Dance Theatre – Appalachian clogging
Kalanjali – Indian bharatanatyam and kathakali
Karavansaray Dance Company* – Egyptian folkloric (Festival Rotunda Dance Series performance – November)
Bhavajan Kumar* – Indian bharatanatyam
Los Danzantes de Aztlán de Fresno State University* – Mexican calabaceados (Baja California)
Sunanda Nair* – Indian mohiniyattam and kathakali
Natyalaya – Indian kuchipudi
Nava Dance Theatre* – Indian bharatanatyam
Nlolo Kongo* – Congolese traditional
Parangal Dance Company – Filipino traditional (Mindanao)
Proyecto Lando/Cunamacué Collaboration* – Afro-Peruvian
Sohini Ray*– Indian manipuri
Sahiyar Dance Troupe* – Indian folkloric
Sattriya Dance Company* – Indian sattriya
Sewam American Indian Dance – Native American hoop dance
Suciawani Balinese Dance* – Balinese traditional
Te Mana O Te Ra – Tahitian ‘ōte’a and ‘aparima
Tiruchitrambalam*– Indian bharatanatyam (Festival Rotunda Dance Series performance – April)

Ziva Emtiyaz – Lebanese belly dance* (*Artists who are new to the Festival)

June 2014 Festival Schedule:
Thursday, June 5, 12 noon
Opening event: Tribute to Nelson Mandela
Rotunda Dance Series
San Francisco City Hall
FREE
Music and dance featuring Diamano Coura West African Dance Company.

June 6, 7 & 8 – Festival Weekend One: Workshops and panel dialogues. Friday, June 6 at UC Berkeley; Saturday, June 7 at Stanford University; and Sunday, June 8 at the Palace of Fine Arts. (Specific times TBA)

June 14 & 15 – Festival Weekend Two: Eight classical Indian dance forms presented in partnership with Sangam Arts: Yerba Buena Center for the Arts Theater, 700 Howard Street, San Francisco

This will be the first performance in the United States featuring all eight classical Indian dance forms on one stage. Performances by Chitresh Das Dance Company, Guru Shradha, Kalanjali, Bhavajan Kumar, Sunanda Nair, Natyalaya, Nava Dance Theatre, Sattriya Dance Company, Sohini Ray.

Saturday, June 14, 1pm & 7pm* Sunday, June 15, 1pm 
*The June 14, 7pm performance includes the presentation of the Malonga Casquelourd Lifetime Achievement Award to Katherine and K.P. Kunhiraman, founders of Kalanjali: Dances of India, in Berkeley.

June 21 & 22 – Festival Weekend Three: Nine dance companies in a classic Festival program: Yerba Buena Center for the Arts, 700 Howard Street, San Francisco

Performances by Academy of Hawaiian Arts, Azama Honryu Seifu Ichisen-kai Kinuko Mototake Ryubu Kenkyu-jo USA, De Rompe y Raja – Asociación Cultural Kanchis Alliance, Dimensions Dance Theater, El Hawary, Los Danzantes de Aztlán de Fresno State University, Nlolo Kongo, Parangal Dance Company, Suciawani Balinese Dance.

Ten Percent – TV Listing. March 2014

Ten Percent

Ten Percent – TV Listing. March 2014

Ten Percent — LGBT-TV for Northern California

Mondays – Fridays, 11:30am & 10:30pm and Saturdays & Sundays at 10:30pm on Comcast Hometown Network Channel 104 in Northern California.

www.comcasthometown.com

Episode # 214
Monday — Friday, February 24 – 28, 11:30am & 10:30pm
Saturday & Sunday, March 1 -2, 10:30pm

David Perry speaks with David M. Ortman, author of Sexual Outsiders, examining the erotic world of BDSM, kink, leather and fetish. Perry also chats with Paul Margolis, founder of OurTownSF.org

Episode # 215
Monday — Friday, March 3 – 7, 11:30am & 10:30pm
Saturday & Sunday, March 8 -9, 10:30pm

David Perry interviews Jorge Rodriguez about his work on behalf of the immigrant AIDS / HIV community. David Perry also speaks with Shane Mayer of BRITE (Bayview Residents Improving Their Environment) and his work in one of San Francisco’s most diverse neighborhoods.

Episode # 216
Monday — March 10 – 14, 11:30am & 10:30pm
Saturday & Sunday, March 15 – 16, 10:30pm

David Perry speaks with artist Mark M. Garrett about his exhibit Untethered: Drawing With Scissors, a collage of reconstructed maps. David Perry also interviews Masashi Niwano, festival and exhibition director for the Center for Asian American Media (CAAM).

Episode # 217
Monday — Friday, March 17 – 21, 11:30 am & 10:30pm
Saturday & Sunday, March 22 – 23, 10:30pm

David Perry speaks with John Hamilton, author of Ego Heroin, an unauthorized fake autobiography of Joan Crawford. Perry speaks with Sasha Soprano, creator of The Drag Queens of Comedy. Perry also speaks chats with John Fisher of Theatre Rhinoceros about the Auden/Britten themed play The Habit of Art.

Ten Percent is also available 24/7 through the “On Demand” Feature through your Comcast Cable Network. Choose “Get Local” and “Comcast Hometown” to access Ten Percent. Past shows may also be viewed online at www.comcasthometown.com.

Become a fan on Facebook: 10 Percent on Facebook

About 10 Percent

Comcast Hometown Network (CHN), Comcast’s regional cable network covering Northern and Central California, continues its commitment to quality original programming with Ten Percent, a weekly interview series that focuses on lesbian, bisexual, gay and transgender (LGBT) issues. The half-hour show, created and hosted by long-time San Francisco media professional David Perry, airs on Channel 104, Mondays – Thursdays at 11:30am & 8pm and is available to all Comcast digital cable customers throughout Northern and Central California. Each episode will then be available online at www.comcasthometown.com as well as on Comcast’s popular ON DEMAND platform, which is free to Comcast digital customers. To view Ten Percent ON DEMAND, Comcast Digital Cable customers can tune to Channel 1 on their Digital Cable lineup or press the ON DEMAND button on their remote control, then click on the “Get Local” section, then click on “Comcast Hometown.”

“I jokingly call the show ‘Charlie Rose for the LGBT world,” said David Perry, Producer/Host of Ten Percent. “We may be only ten percent of the general population, in round numbers, but our issues are one hundred percent front-and-center in today’s world. Whether it’s the fight for marriage equality or debates about gay clergy or the right to serve openly in uniform, our issues are reflective of the world at large.”

“David has a well-known and unique voice that bridges many communities,” said Jason Holmes, Executive Producer at Comcast Hometown Network. “David’s talents and the launch of Ten Percent further enhance Comcast’s commitment to our communities and Comcast Hometown Network’s compelling, community-based regional programming,”

Chinese Historical Society of America Museum brings its masterpieces onto the Google Art Project

Chinese Historical Society of America

Chinese Historical Society of America Museum brings its masterpieces onto the Google Art Project

www.chsa.org

Media Contact: DP&A, Inc. / David Perry (415) 693-0583 / news@davidperry.com

19 February 2014 — San Francisco: Chinese Historical Society of America, (CHSA) announced today that it is adding 51 high resolution art works to the Google Cultural Institute allowing people in all over the world to explore their collection of historic images online.

To date, CHSA has contributed 51 photographs and archival material unique to Chinese American communities. These objects were selected to become part of the Google Cultural Institute for their significance in documenting how San Francisco Chinatown rose from the ashes of the 1906 Earthquake and Fire to become the most iconic Chinatown in the world. Today, SF Chinatown is major tourist attraction, visitor destination, residential neighborhood and a touchstone of Chinese America. The resolution of these images, combined with a custom built zoom viewer, allows history buffs to discover minute aspects of CHSA’s collection they may never have seen up close before.

“We’re thrilled to be a part of the launch,” said Sue Lee, CHSA’s executive director. “Working with the Google Art Project allows a wider audience to learn about and appreciate the history and contributions of Chinese in America. We hope to include more of our collection in the Google Art Project in the near future.”

Visitors to the Google Art Project can browse works by the artist’s name, the artwork, the type of art, the museum, the country, collections and the time period. Google+ and video hangouts are integrated on the site, allowing viewers to invite their friends to view and discuss their favorite works in a video chat or follow a guided tour from an expert to gain an appreciation of a particular topic or art collection.

The ‘My Gallery’ feature allows users to save specific views of any of artworks and build their own personalized gallery. Comments can be added to each painting and the whole gallery can then be shared with friends and family. It’s an ideal tool for students or groups to work on collaborative projects or collections. In addition, a feature called ‘Compare’ allows you to examine two pieces of artwork side–by–side to look at how an artist’s style evolved over time, connect trends across cultures or delve deeply into two parts of the same work.

To date, more than six million high resolution objects are available in the Cultural Institute. Street View images now cover more than 90 museums in 30 countries, with more being added all the time.

The Google Cultural Institute is dedicated to creating technology that helps the cultural community to bring their art, archives, heritage sites and other material online. The aim is to increase the range and volume of material from the cultural world that is available for people to explore online and in doing so, democratize access to it and preserve it for future generations.

Founded in 1963, the Chinese Historical Society of America is the oldest and largest organization in the country dedicated to the documentation, study, and presentation of Chinese American history and culture. CHSA operates a Museum and Learning Center, located in the landmark Julia Morgan-designed Chinatown YWCA building.

Through exhibitions, publications, and educational and public programming, CHSA promotes the contributions of Chinese Americans and preserves the legacy of Chinese America.

$2.1 Million Is Early Valentine for AIDS / HIV Related Charities in San Francisco, Sonoma County, Palm Springs and Philadelphia

AIDS Emergency Fund

$2.1 Million Is Early Valentine for AIDS / HIV Related Charities in San Francisco, Sonoma County, Palm Springs and Philadelphia

Media Contact: David Perry
415.676.7007
news@davidperry.com

10 February 2014 — San Francisco, CA: In a gathering today at San Francisco’s historic Flood Building, $2.1 million dollars from the Thomas M. Dross Estate was officially distributed to the following charities: AIDS Emergency Fund, AIDS Interfaith Chapel at Grace Cathedral, Clinica Esperanza, Desert AIDS Project (Palm Springs), FamilyLink, Food for Thought (Sonoma), Mazzoni LGBT Center (Philadelphia), Openhouse, Richmond/Ermet AIDS Foundation, SF AIDS Foundation, San Francisco LGBT Aging Policy Task Force Outreach Report.

“This is one of the largest private donations to AIDS / HIV charities in the past decade,” said Alfredo Casuso and David Perry, coexecutors of the Dross Estate. “AIDS is not over. Our hope is that the size of this donation will refocus people’s attention on the work of these fine efforts — and others — in the fight against AIDS / HIV. As we approach Valentine’s Day, we want people to remember and show love to their local AIDS service organizations and those living with AIDS / HIV.”

Thomas M. Dross died of a heart attack on January 7, 2012 in Palm Springs. His will specified AIDS / HIV charities as the beneficiary of his estate.