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Another Planet Entertainment Announces Film Fests & Special Film Events Beginning March 2026 at the Castro Theatre

Another Planet Entertainment Announces Film Fests & Special Film Events Beginning March 2026 at the Castro Theatre

Select Events Will Go On sale This Friday, November 14 at 10 a.m. PT at 

www.thecastro.com

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12 November 2025 — San Francisco: Following a $41 million renovation and careful historic restoration by the Bay Area’s Another Planet Entertainment (APE), the historic Castro Theatre will celebrate its grand reopening in February 2026, with international sensation, Sam Smith for their “To Be Free: San Francisco” twenty-night residency.  The building is also ready to share its glory again as one of America’s most treasured movie palaces as today, November 12, APE is pleased to announce the film fests and special film events coming to The Castro starting March 2026. Tickets for all film events go on sale this Friday, November 14 at 10am PT at thecastro.com. 

The Castro makes its grand return  in a new era of programming that bridges cinematic tradition, live music, comedy, community gatherings and service to the LGBTQ+ communities for whom the venue is a treasured asset.  Highlights include film festivals such as SF Film Festival, SF Silent Film Festival and Frameline 50 as well as special screenings like Clara Bow in It, Hedwig & The Angry Inch with special guest John Cameron Mitchell, The Last Black Man In San Francisco with special guest writer & director Joe Talbot and more. In January, look for the return of the Castro movie calendar, repertory film screenings, signalongs, 35mm & 70mm screenings and student and senior prices. Freshly popped popcorn is promised for all screenings.

Film Festivals and Special Film Events just announced:

March 19: Berlin and Beyond

March 22: SF Silent Film FestivalClara Bow in “IT” 

April 1: A Deeper Love: The Story of Miss Peppermint With special guest Peppermint

April 9: Movies for Maniacs

April 12: The Last Black Man in San Francisco With special guest: Writer & Director Joe Talbot

April 24: SF Film Festival

May 6 – 10: SF Silent Film Festival

June 17 – 27: Frameline 50 LGBTQ International Film Festival

July 17: Hedwig & The Angry Inch

25th Anniversary Screening in 35mm with special guest John Cameron Mitchell

Under APE’s stewardship, the century-old venue has undergone a comprehensive renovation, restoring its architectural splendor while upgrading mechanical systems, accessibility, acoustics, and patron amenities. The refreshed neon blade & marquee, decorative ceiling, and restored chandelier signals the reborn destination for cultural life in the Castro neighborhood and beyond.  Inside, the sloped auditorium floor has been reimagined with new telescoping tiers that allow for flexibility between seated shows, film screenings, and standing-room events. Meanwhile, upgraded HVAC, sound, lighting, video systems, additional public restrooms, and expanded ADA accessibility will enhance both the fan and artist experience. 

The reopening of The Castro Theatre is poised to deliver meaningful economic gains to the surrounding neighborhood — especially for restaurants, retail, cafés, and bars that rely on cultural foot traffic. APE projects the venue will draw 200,000+ visitors annually, reenergizing business corridors and stimulating local employment. 

For the LGBTQ+ community, the venue has long been a symbolic and literal gathering place. Its revival reaffirms its role as a beacon of queer culture, affirmation, and visibility — extending beyond film to performances, panels, and celebrations that reflect the diversity and resilience of the community. The reopening underscores APE’s commitment to preserving the venue’s roots in film and community. The theatre will welcome back music, comedy, film, community events, and private events that will diversify how The Castro Theatre serves San Francisco and its communities. 

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The Castro Theatre, courtesy of Another Planet Entertainment

About The Castro Theatre

The Castro Theatre is a world renowned iconic venue and cherished landmark. Located in the Castro Neighborhood, San Francisco’s LGTBQ+ cultural epicenter, this designated historic landmark is the heart of the community. The Castro’s captivating interior was designed by one of San Francisco’s most prominent architects, Timothy Pfleuger.  Built in 1922, the movie palace features a lavish yet intimate interior with diverse architectural influences ranging between Spanish, Asian, Italian and Art Deco.  A century later in 2022, Another Planet Entertainment entered into an exclusive partnership with the theatre to execute a significant $41 million rehabilitation of the building. This includes major renovations to accommodate a wider variety of entertainment; opening the venue for the first time to standing room musical performances while still maintaining the seated experience for cinema, comedy and more.

The re-opening will showcase the revitalization of the ceiling’s stunning original artwork along with the sgraffito murals and a long hidden historic proscenium, all masterfully restored by Evergreene Architectural Arts. Additionally, BuildIT, the world’s first LGBTQ construction advocacy organization, has played a major role providing specialized trade professionals to the project. Other key elements include modernizing the historic chandelier, revival of the iconic neon blade sign and marquee, and the installation of the world’s largest and most versatile digital organ. The building will feature modern amenities with a new HVAC system, additional restrooms, and for the first time a fully ADA accessible orchestra, stage and dressing rooms. Another Planet’s momentous effort will ensure this cultural gem will continue to serve as an inclusive global beacon for cultural expression to be enjoyed for generations to come.

Connect with The Castro Theatre

Website | Instagram | Facebook

About Another Planet Entertainment:

Established in 2003, Another Planet Entertainment (APE) is the largest independent promoter in the U.S. and has produced and promoted thousands of events with artists as diverse as Radiohead, Neil Young, Kendrick Lamar, Adele, Daft Punk, Lady Gaga, The Weeknd, Tom Petty & The Heartbreakers, Lizzo, Metallica, Bruno Mars, twenty one pilots, Bruce Springsteen, Mumford & Sons, Zedd, Paul McCartney, Fred again.. x Skrillex, Florence + The Machine and Olivia Rodrigo. Named Top Independent Promoter (U.S.) by Billboard Magazine in 2015 and 2016 and Top Independent Promoter (Worldwide) in 2017, APE is the exclusive promoter for the Greek Theatre in Berkeley, the Fox Theater in Oakland, the historic Bill Graham Civic Auditorium, The Independent and The Castro in San Francisco and Lake Tahoe Amphitheatre at Caesars Republic, as well as co-promoter of The Bellwether in Los Angeles. In April 2025, APE welcomed Channel 24, a new property in Sacramento to its portfolio. In addition, APE produces the award-winning festival Outside Lands (since 2008, ranked #4 on Billboard’s Top 50 Festivals of 2022) in San Francisco. In 2024, APE launched Golden Gate Park Concerts, an unprecedented standalone event series on the Polo Field in the iconic San Francisco park. The inaugural event with System Of A Down marked the first ever headline concert in the park after dark, preceded only by daytime events. APE also operates an artist management arm, Another Planet Entertainment Management, with a roster that includes two-time GRAMMY-nominated artist Tycho, and a private events division Another Planet Event Group.

Connect with Another Planet Entertainment

Web | Facebook | Instagram

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For more information on Another Planet Entertainment & The Castro, contact:

Alexandra Greenberg / Falcon Publicity
agreenberg@falconpublicity.com

 &

Liz Liles-Brown / Another Planet Entertainment
liz@anotherplanetent.com 

&

David Perry / David Perry & Associates, Inc
news@davidperry.com / (415) 676-7007

Capricorn & Walter Adams Framing Honoring and Serving Veterans

Honoring Service and Craft: Veteran-Owned Excellence in Framing

Capricorn Framing SOCIAL VETERANS DAY X (1)

Did you know that Capricorn Framing is a veteran-owned business? Co-owner Keith Wicker proudly served 20 years in the U.S. Army and Army National Guard before settling in San Francisco — and before discovering his second calling in custom framing. During his distinguished military career, Keith taught and flew both attack and utility helicopters, serving as an instructor pilot and instrument flight examiner. After retiring from the military, he continued his aviation journey in the Bay Area, flying news helicopters and managing regional operations based out of Hayward, California.

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That same precision, discipline, and artistry that guided him in the cockpit now inform every frame crafted at Capricorn Framing. Each project reflects a veteran’s eye for detail and dedication to excellence — values shared by all who have served.

Those shared values of craftsmanship and service also define our sister brand, Walter Adams Framing, which proudly collaborates with other veteran-owned artisans. Our current partnership with ValCo Ornate Frames, founded by combat veteran Val Schaefer, celebrates that spirit of excellence. ValCo’s handcrafted frames transform functional design into fine art, blending Modern Victorian style with a meticulous respect for detail. Each piece is built with care, creativity, and a profound sense of craftsmanship — principles we hold close at Walter Adams Framing.

Recently, Walter Adams Framing had the privilege of creating a custom display honoring military service — a project that called for balance, honor, and humility. From medals to rank insignia, every element was positioned with symmetry and precision. For intricate three-dimensional work like this, we use museum glass or Optium acrylic to ensure each detail is protected and presented with absolute clarity.

Across both studios — Capricorn Framing and Walter Adams Framing — our mission remains the same: to bring respect, artistry, and authenticity to every project. On this Veterans Day, and every day, we salute those whose service inspires our craft.

WAF social nov 2025 veterans day 1 X

To all veterans: thank you for your service.

#VeteranOwned #CustomFraming #CapricornFraming #WalterAdamsFraming #ValCoFrames #Craftsmanship #MadeWithPride #VeteransDay

Rainbow Honor Walk Honoree Phyllis Lyon

Rainbow Honor Walk Honoree Phyllis Lyon

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Today on the anniversary of her birth, we celebrate the life and legacy of Rainbow Honor Walk honoree Phyllis Ann Lyon (November 10, 1924 – April 9, 2020). A pioneering lesbian activist, writer, and feminist, Lyon co-founded the Daughters of Bilitis in 1955 — the first social and political organization for lesbians in the United States — alongside her lifelong partner, Del Martin. Together, they advanced LGBTQ+ visibility and equality through decades of advocacy, journalism, and leadership, paving the way for generations to come.

Read the tribute below in SF Bay Times by longtime close friend of the couple, Kate Kendell.

Titanic: Unsinkable Moneymaker

Titanic: Unsinkable Moneymaker
by David Eugene Perry

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8 November 2025 – At Sea: Ahoy! Today I gave my ever-popular maritime history presentation “Titanic: Now and Then” aboard Holland America’s Oosterdam for her TransAtlantic crossing.

In a very real way, I’m here today because of Titanic, having become fascinated by the late great White Star liner after watching the Clifton Webb / Barbara Stanwyck movie Titanic on the late show with my mother in our den in Richmond, Virginia, when I was five or six years old. I was hooked. From there, I couldn’t get enough. When I was later gifted with a copy of Walter Lord’s seminal 1955 book about the tragedy, A Night to Remember, I read it in one sitting and have since re-read it dozens of times. It certainly fueled my lifelong fascination with all things shippy, and was a direct inspiration for my “two years before the masthead” as I call it, working my way around the world in 1998 / ’99 editing the newspaper aboard Crystal Symphony. When I came home, I met Alfredo, so actually – I have “Titanic” to thank for that too. Imagine!

Although there had been previous books, and even films, about Titanic, Lord’s book re-ignited “Titanic Fever”—an affliction seemingly with no cure. Every tome, TV show, and theatrical release since then owes its nativity to ANTR. Earlier this year, Alfredo and I had the chance to visit the great writer’s grave in Baltimore, Maryland. Though he wrote other fine works—including one of the best accounts ever written about the December 7, 1941 attack on Pearl Harbor—he remains inextricably linked to Titanic. After Robert Ballard discovered the ocean liner’s wreck in 1985, Lord followed with a companion volume, The Night Lives On.

Indeed, the night of April 14–15, 1912 “lives on” in more ways than that Celine Dion song. There have been hundreds of books, dozens of films, television specials, and even a Broadway musical inspired by the legendary liner. It struck me the other day that Titanic may well have been the first ship that made more money sunk than sailing.

During my time on Crystal Symphony is when Cameron’s epic (and extremely accurate) film came out. Many cruise lines were nervous. What would this do for sales? Cunard was said to have been more than a bit anxious, as the company’s full name is “Cunard White Star” from the merger of the two lines in 1934. They needn’t have worried. It is estimated that Cameron’s Titanic resulted in a 35% increase in cruise bookings. Would-be passengers were fascinated by the glamour and romance of the all-too-briefly sailing liner. “Ca-CHING” indeed went those cruise ship bookings!

So below, an interesting financial analysis.

The Cost of a Legend:

When she was completed in 1912, Titanic cost about £1.5 million, or roughly $7.3 million USD at the time. Adjusted for inflation, that’s the equivalent of about $225–$500 million in 2025 dollars, depending on how one measures economic scale. In short, building Titanic was roughly as costly as constructing a modern megaship or luxury cruise liner today. 

Yet, as immense as her cost was, her afterlife has been far more profitable. 

From Tragedy to Treasure:

James Cameron’s 1997 epic Titanic cost an estimated $200 million to produce—ironically, about the same as the real ship in today’s terms. The film went on to gross $2.26 billion worldwide, or around $4 billion in 2025 dollars, securing its place among the three highest-grossing films of all time.

But the story doesn’t end there. From films and documentaries to exhibitions, merchandise, tourism, and expeditions, the “Titanic brand” has become an enduring global industry:

CategoryEstimated Lifetime Revenue (USD)
Films & re-releases$5 billion +
Documentaries, books, media$1 billion +
Museums & exhibitions$3–4 billion +
Merchandise & memorabilia$2–3 billion +
Expeditions, licensing, and IP tie-ins$0.5–1 billion +

Total estimated global impact since 1912:

$10–15 billion and counting.

That makes Titanic one of history’s most profitable “brands”—right up there with Star Wars, The Beatles, and the Apollo moon program in terms of cultural and commercial reach.

The Unsinkable Story:

From her tragic maiden voyage to her rediscovery on the ocean floor, from Walter Lord’s pen to James Cameron’s lens, Titanic continues to fascinate, inspire, and enrich. She reminds us that even in loss, there can be legacy—and that sometimes, the greatest ships never truly stop sailing.

David Eugene Perry is a maritime historian and lecturer, having visited over 75 countries and every continent except Antarctica (but it’s on the list!). In 1998 / ’99, and again in 2000, Perry “wrote his way around the world” as a junior officer aboard “Crystal Symphony” and the editor of their onboard newspaper, “Reflections.”  He is the author of the award-winning novel “Upon This Rock”, now in its second printing, and in screenplay development. He is currently working on its sequel, “Thorns of the 15 Roses”, which takes place in the small Andalusían town of Grazalema and also aboard ship. When not at sea, Perry and his husband, Alfredo Casuso, run a Communications and Design Firm. They make their home in Palm Springs, with frequent visits to San Francisco, Italy and Spain. They have been presenting their “LinerLore” series of maritime history presentations for 26 years.  www.davidperry.com 

Nancy Pelosi International Airport

An Open Letter to Mayor Daniel LurieRe: Renaming San Francisco International Airport in Honor of Nancy Pelosi

Dear Mayor Lurie:

Firstly, congratulations and thank you for your kind and appropriate words about Speaker Emerita Nancy Pelosi. Few names are as synonymous with San Francisco’s values, vision, and voice as hers. For decades, she has embodied the very ideals that define our City by the Bay — compassion, courage, and an unyielding belief in equality and progress.

In a city that has long been a haven for the L.G.B.T.Q. community, Speaker Pelosi devoted herself to advancing gay rights and confronting the AIDS epidemic that devastated our neighborhoods. Among her enduring legacies is the National AIDS Memorial Grove in Golden Gate Park, a place of remembrance and renewal that she helped bring to life. Through her decades of public service — from the streets of North Beach to the halls of Congress — she has always represented truly “San Francisco values”: compassion, courage, and pragmatism in service to both. And, of course, without her vision and leadership we would not have the Presidio to enjoy as an incomparable public space.

It is time we honor her — in her lifetime— with a gesture equal to her impact: renaming San Francisco International Airport (SFO) in her honor.

Nancy Pelosi International Airport would stand as a fitting tribute to a leader who has carried San Francisco’s spirit to the world. For travelers arriving and departing, her name would signal the city’s enduring commitment to justice, inclusion, and humanity.

There is precedent for such a present day homage. The official SF Bay Bridge bears the name of former California Speaker and SF Mayor Willie L. Brown, Jr and San Jose’s Airport was named in honor of Norman Y. Mineta while he was still alive. 

At the same time, we must also acknowledge the profound contributions of the late Senator Dianne Feinstein, whose steady leadership, august career and grace under pressure helped define San Francisco’s resilience and growth for generations. If consensus favors a broader commemoration, then Feinstein–Pelosi International Airport would serve beautifully — two progressive, pioneering women, side by side, representing the best of our city and our nation — a country whose population is over half by percentage women.

Together, their names would mark the gateway to a place they both loved deeply — San Francisco — and remind all who pass through that ours is a city built by strong women, guided by empathy, and forever proud of its legacy of leadership.

Respectfully,

David Eugene Perry
San Francisco