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Boo2Bullying Brings Fourth Annual “Kick Bullying to the Curb” Wellness Festival to Palm Springs October 10

David Perry & Associates, Inc.
David Perry / (415) 676-7007 / news@davidperry.com

Boo2Bullying Brings Fourth Annual “Kick Bullying to the Curb”
Wellness Festival to Palm Springs October 10

Free family event combines youth wellness resources, live entertainment and a celebrity kickball game at Palm Springs Power Stadium

Festival: 4–8 p.m.  |  Celebrity Kickball Game: 6 p.m.  |  Admission: Free

4 September 2026 — Palm Springs, CA: On October 10, a baseball stadium will become a field of kindness as Boo2Bullying brings its fourth annual “Kick Bullying to the Curb” Wellness Festival and Celebrity Kickball Game to Palm Springs Power Stadium. The free, family-friendly gathering will connect young people and their families with practical wellness resources while celebrating teamwork, inclusion and the simple but powerful truth that every child deserves to feel safe, valued and heard.

The festival takes place Saturday, October 10 from 4 p.m. to 8 p.m. at Palm Springs Power Stadium, 1901 E. Baristo Road. The celebrity kickball game begins at 6 p.m. and will feature celebrity guests, community leaders, first responders, businesses and local youth organizations in a spirited, family-friendly competition designed to promote kindness, teamwork and community connection.

“A young person who knows they matter is better equipped to speak up, ask for help and stand up for someone else,” said Dimitri Halkidis, founder of Boo2Bullying. “This festival takes that message beyond the classroom and puts it into action across the entire community. We want every child who walks through the gates to leave feeling stronger, more connected and absolutely certain that they are not alone.”

Throughout the afternoon, the festival’s Wellness Village will bring together organizations serving youth and families in mental health, education, healthcare, nutrition, fitness, youth development, digital wellness and community services. The program will also include live entertainment and music, interactive youth activities, vendors and opportunities to meet local schools, nonprofits, healthcare organizations, government agencies and community leaders.

The day’s scheduled highlights include the festival opening at 4 p.m.; the Wellness Village beginning at 4:15 p.m.; live entertainment at 4:45 p.m.; interactive youth activities at 5:15 p.m.; the celebrity kickball game at 6 p.m.; and a community celebration at 7 p.m.

Since the festival began in 2022, Boo2Bullying reports more than 10,000 attendees, 300 volunteers, 150 community partners and representation from more than 50 schools, along with over $250,000 in in-kind support and resources. The organization has empowered more than 25,000 young people through school assemblies, youth leadership programs, educator and parent workshops, community events and family outreach.

Voices from the Community

“This festival is amazing! So many resources for our family and so much fun for the kids!” — Parent

“I love the energy, the people, and the message. Can’t wait for next year!” — Student

“Our organization connects with so many families. It’s the highlight of our outreach year.” — Community Partner

Boo2Bullying’s current community champions and event partners include the City of Palm Springs, the Irene W. & Guy L. Anderson Children’s Foundation, Bighorn Cares, Palm Springs Unified School District, Desert Care Network and News Channel 3 KESQ. Sponsorship, exhibitor and volunteer opportunities remain available. Admission is free. For event details and free registration, visit boo2bullying.org/kick-bullying-to-the-curb.

Presenting Sponsors, City of Palm Springs and Bighorn Cares, Community Partners, Walter Clark Legal Group, Contour Dermatology & Cosmetic Surgery Center, The Bianco Group, Kimpton The Rowan Palm Springs, Youth & Community OrganizationsBoys & Girls Club Palm Springs, First tee Coachella Valley, Palm Springs High School Cheer Squad,  The LGBTQ Community Center of the Desert, Transgender Health & Wellness Center, Media Partners El InformadorDel Valle, Coachella Valley Independent, David Perry & Associates, Valley Voice Media.

About Boo2Bullying

Boo2Bullying is a federally recognized 501(c)(3) nonprofit organization dedicated to empowering youth, building kindness and creating safer schools. Founded in 2011, the organization provides evidence-informed school assemblies, social-emotional learning workshops, youth leadership programs, educator training, parent workshops, community events and family outreach. Boo2Bullying helps young people choose kindness, strengthen emotional resilience, build healthy relationships and become leaders who positively impact their schools and communities. For information about scheduling a program, contact Dimitri Halkidis at (310) 435-8528 or dimitrihalkidis@boo2bullying.org. For more information, visit www.boo2bullying.org.

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Boo2Bullying — Kick Bullying to the Curb — October 10, 2026

RogerCasement Placa

Rainbow Honor Walk Honoree Roger Casement

Today on the anniversary of his birth, we celebrate the life and legacy of Rainbow Honor Walk honoree Roger Casement (September 1, 1864 – August 3, 1916). An Irish diplomat, humanitarian, and nationalist, Casement became internationally renowned for exposing brutal abuses of Indigenous peoples in the Congo Free State and the Amazon’s Putumayo region. Later a passionate advocate for Irish independence, he was convicted of treason and executed by the British government in 1916. A gay man whose sexuality was used against him during his trial and appeals for clemency, Casement remains an enduring figure in the histories of human rights, Irish independence, and LGBTQ+ identity.

www.RainbowHonorWalk.org

#RainbowHonorWalk #RogerCasement #LGBTQHistory #IrishHistory #HumanRights #Pride

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Never Say Die” at 80: Bay Area creative Tom Donald proves the ultimate second act may be the best one

media contact:
David Perry & Associates, Inc. /  (415) 676-7007 /  news@davidperry.com

“But there’s something about longevity. Time can build a dialogue around your work.”
— Oakland artist Stephanie Syjuco

“Never Say Die” at 80: Bay Area creative Tom Donald
proves the ultimate second act may be the best one


Award-Winning Filmmaker, Musician, Producer and Advertising Creative Marks 80th Birthday September 6 as Never Say DieHeads to Oakland International Film Festival

Recent Telly Award Caps a Multi-Decade Creative Journey Through Music, Madison Avenue, Filmmaking and hiTrecords

Tom Donald with Telly Award"
Tom Donald with Telly Award


1 September 2026 SAN FRANCISCO, CA: At an age when conventional wisdom suggests slowing down, Tom Donald is speeding up.  The award-winning Bay Area filmmaker, musician, producer and advertising creative turns 80 on September 6 with a new Telly Award, an upcoming screening of his film and music project Never Say Die at the Oakland International Film Festival and a creative life that continues to move in unexpected directions.

For Donald, whose career has taken him from working musician and songwriter to advertising writer and creative director, commercial filmmaker and founder of hiTrecords, the milestone is less about looking back than asking a simple question: what’s next?

“Turning 80 doesn’t make me want to stop creating—it makes me more aware that there are still things I want to say, music I want to make and stories I want to tell,” said Tom Donald. “Never Say Die is very personal for me because it’s about exactly that: recognizing that time passes, but refusing to let curiosity, ambition or creativity pass with it. I’ve been fortunate enough to reinvent myself more than once, and I’m not convinced I’m finished yet.”

That philosophy is at the heart of Never Say Die, Donald’s deeply personal film and music project exploring aging, mortality and the refusal to quietly fade away. Its appearance at the Oakland International Film Festival follows recent festival recognition and a Telly Award—an honor with particular resonance for someone who spent decades directing commercial work and seeing Telly statues in the recording studios and editing suites where he worked.

Now, Donald has one of his own.

The recognition is only the latest turn in a career that has repeatedly crossed creative boundaries.  Raised by a father who worked in New York’s legendary advertising world, Donald began professionally as a musician before moving into advertising, where his career included work with agencies such as Foote Cone & Belding and Saatchi & Saatchi. As a writer, creative director and filmmaker, he worked on projects for major American companies and institutions while continuing the relationship with music that had first defined him.

Eventually, music called him back.  Through hiTrecords, Donald returned to recording and producing, bringing together decades of experience in sound, storytelling, advertising and moving images. Never Say Die represents something of a culmination of those strands—but Donald resists the idea that culmination means conclusion. 

His story also arrives at a moment when assumptions about age and creative relevance are increasingly being challenged. Oakland-based artist Stephanie Syjuco captured that idea while discussing her own evolving career: “But there’s something about longevity. Time can build a dialogue around your work.”

For Donald, eight decades have provided plenty of time for that dialogue—and plenty of material.  There is the young musician who discovered the power of making music. The advertising creative who watched an industry transform around him. The director who spent years turning ideas into images. The producer and entrepreneur who created hiTrecords. And now there is the 80-year-old independent filmmaker earning festival recognition for a work that confronts the very subject of growing older.

What connects them all, Donald says, is the need to keep making something new.

“Creativity has never felt like a profession that I could simply retire from,” said Donald. “It’s how I engage with the world. The tools change, industries change, audiences change—and certainly we change—but that’s what keeps the process interesting. Reinvention isn’t abandoning what came before. It’s taking everything you’ve learned and finding out where it can take you next.”

Over the coming months, Donald’s story offers several windows into a singular American creative career: the evolution of advertising from the agency culture he first knew to today’s fragmented media landscape; the relationship between commercial and personal filmmaking; the dramatic changes in recording and music production; entrepreneurship later in life; and the question increasingly confronting an aging generation of creative professionals—what constitutes a second act when you never really left the stage?

For Tom Donald, the answer is contained in the title of his latest project. Never Say Die.

About Tom Donald:
Tom Donald is an award-winning filmmaker, musician, producer, advertising creative and founder of hiTrecords whose multi-decade career has moved between music, advertising, commercial filmmaking and independent creative production. His advertising career included work with agencies including Foote Cone & Belding and Saatchi & Saatchi, followed by extensive work directing commercial projects. Returning to his musical roots through hiTrecords, Donald has continued to record, produce and develop film and music projects, including the Telly Award-winning Never Say Die. Donald turns 80 on September 6, 2026.

About Never Say Die:
Never Say Die is Tom Donald’s award-winning film and music project exploring creativity, aging, mortality and the determination to remain fully engaged in life. The project has received a Telly Award and additional festival recognition and will screen at the Oakland International Film Festival.

Dolly: We Will Always Love You

Dolly: We Will Always Love You

Dolly: We Will Always Love You

— David Eugene Perry

Oh my: this is heartbreaking. I wish Dolly Parton could have lived forever. 

Every now and then, someone passes and everyone grieves. JFK was such a moment. Martin Luther King, Jr, Bobby, Princess Diana, Jimmy Carter. That’s the case today for Dolly Parton. I’m sure there are many people today playing her music in comfort and solidarity.

Dolly Parton was the voice of my Southern childhood, a Tennessee girl from the mountains whose talent, voice and consistent compassion and kindness were unequalled. Ditto for her embrace of her gay fans and the LGBT community. Just today before I heard the news, I had put on “Jolene” and “Nine to Five” (par for my musical course). 

When I was young, I played the album “Trio” (with Dolly, Emmylou Harris and Linda Ronstadt) so much I wore it out and had to re-buy it. Those three ladies, plus The Carpenters, were the soundtrack of my formative years. Patsy & Loretta, too. San Francisco’s Castro Theatre has done a tribute to her on their marquee.

Another reason to love Dolly: Travelin’ Thru” is an original song written and performed by country music icon Dolly Parton for the end credits of the 2005 comedy-drama film Transamerica.

Director Duncan Tucker personally approached Parton to pen the theme, aiming for an anthem that captured the emotional core of the movie’s protagonist, Bree, a trans woman navigating family, identity, and a cross-country road trip.

Below, some of favorite articles about Dolly and, perhaps, her most iconic song out of many iconic ones. 

Dolly, as you wrote and sang, so I feel right now: We will always love you.

https://www.thepinknews.com/2026/01/19/dolly-parton-birthday-lgbt-ally-dollywood-marriage-equality-trans/#page/

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Finland, Estonia and the War in Ukraine

Finland, Estonia and the War in Ukraine

24 August 2026: This morning as we prepare to fly home from

Helsinki, having taken the ferry yesterday for a day trip to Tallinn, I asked “Steve”, our AI assistant, the following:

Q. How has the war in Ukraine impacted Finland, Estonia and the ferry between them? 

A. Quite profoundly. What struck you on the Helsinki–Tallinn crossing yesterday—an easy, almost domestic-feeling two-hour ferry trip—is now actually one of the important transport links inside NATO’s northeastern flank. The war has changed the strategic meaning of the Gulf of Finland even though, for an ordinary passenger, the crossing still feels remarkably normal.

Finland, probably the biggest foreign-policy change since World War II:

For Finland, Russia’s full-scale invasion of Ukraine destroyed the postwar assumption that Finland could remain militarily non-aligned while maintaining a pragmatic relationship with Moscow. Finland applied to NATO in May 2022 and formally joined on 4 April 2023. NATO itself explicitly says the change in Finnish policy was triggered by Russia’s invasion. 

That is an extraordinary historical reversal. Finland shares roughly 1,300 km / 800 miles of border with Russia, and for decades Helsinki carefully balanced Western integration with a working relationship with its enormous eastern neighbor. Today that border is essentially closed to ordinary traffic. Finland progressively closed its crossings in late 2023 after accusing Russia of deliberately directing migrants toward the frontier as a form of pressure; the closure remains in force. 

The economic effects are noticeable too. Russian tourism—once extremely important to eastern Finland and Helsinki—has largely disappeared. Russian airspace is closed to Finnish airlines, making Asian routes substantially longer; for example, Helsinki–Tokyo went from roughly nine hours to around fourteen. 

And Finnish defense thinking has become considerably harder-edged. Russia is now officially regarded as Finland’s principal security threat, while Russian military infrastructure is being expanded again near Finland’s frontier. 

Estonia: the threat feels even more immediate:

Estonia’s psychology is somewhat different because Estonia never had Finland’s postwar neutrality. It has been a NATO member since 2004, and Russia’s occupation of Estonia from 1940–1991 remains within living memory.

So Ukraine has largely confirmed what Estonians had already been warning Western Europe about: Russia is capable of invading and attempting to absorb a neighboring state.

The response has been enormous for such a small country. Estonia plans to spend about 5.4% of GDP on defense in 2026, increasing the defense budget from €1.7 billion to roughly €2.4 billion. That is one of the highest proportions in NATO. 

Ukraine is also much more visibly present in Estonia socially. Estonia accepted large numbers of Ukrainian refugees relative to its population; Ukrainians continue to constitute a significant portion of immigration—about 4,000 Ukrainian citizens arrived in Estonia during 2025 alone, although the flow has declined from the first years of the invasion. 

And Estonia is intensely concerned about Russian cyberwarfare, sabotage, intelligence operations and influence campaigns—hardly surprising given that roughly a quarter of Estonia’s population is Russian-speaking and the Russian border is only about 200 km east of Tallinn.

And then there is the Gulf of Finland: 

This is where your ferry ride becomes especially interesting.

The Helsinki–Tallinn ferry route itself has not been curtailed by the war. Quite the opposite: it continues to operate as an extraordinarily busy civilian corridor. Tallink currently advertises six daily Helsinki–Tallinn departures year-round

But the waters through which you sailed are now one of Europe’s most closely watched maritime zones.

Look at the geography:

All Russian ships traveling between St Petersburg and the open Baltic Sea have to pass through the Gulf of Finland—essentially between Finland and Estonia.

Before 2022 that was mostly a commercial-navigation fact.

Today it is a strategic fact.

Russia’s “shadow fleet”

A huge new issue is Russia’s so-called shadow fleet: often elderly tankers with opaque ownership and insurance arrangements used to transport Russian oil while circumventing Western sanctions.

Those ships regularly transit the same Gulf of Finland used by the Helsinki–Tallinn ferries.

Tensions became especially visible in 2025 when Finnish officials said Russia had begun using military aircraft and other forces to protect shadow-fleet tankers passing through the gulf. Finland’s defense minister described this as a significant new development. 

So while your Tallink ferry is making its completely ordinary two-hour run, there may simultaneously be sanctioned or suspected Russian-linked tankers, Finnish and Estonian coast-guard vessels, NATO surveillance assets and Russian military activity elsewhere in the same relatively confined body of water.

The undersea infrastructure problem:

This may actually be the most important change to the ferry corridor.

The seabed between Finland and Estonia contains critical infrastructure:

  • telecommunications cables
  • electricity interconnectors
  • the Balticconnector natural-gas pipeline
  • other data links connecting Finland with continental Europe.

Since the invasion, several Baltic cables and pipelines have been damaged under suspicious circumstances, dramatically increasing concern about sabotage and hybrid warfare.

One particularly striking incident occurred on 31 December 2025, when the Helsinki–Tallinn telecom cable operated by Elisa was damaged. Finnish authorities seized the cargo vessel Fitburg, which had sailed from St Petersburg; investigators found its anchor chain hanging in the water. 

That means the sea lane beneath your ferry isn’t merely transporting passengers. It sits directly above infrastructure that both Finland and Estonia now regard as national-security assets.

GPS interference:

There is another invisible effect passengers generally wouldn’t notice: GPS/GNSS interference.

Russian electronic warfare has repeatedly disrupted satellite-navigation signals around Finland and the Baltic states. Maritime navigation is protected by redundant systems, radar, terrestrial navigation and professional bridge crews, so this does not mean the Tallinn ferries are unsafe.

But it has become part of everyday maritime and aviation planning around the eastern Baltic.

Tallink itself became involved in the refugee response:

There’s an especially interesting maritime footnote.

After the invasion began, Tallink turned the ferry Isabelle into accommodation for Ukrainian refugees. Beginning in April 2022 she was berthed in Tallinn’s Old City Harbour as temporary housing. Tallink itself noted that the war created significant uncertainty in Baltic travel and initially discouraged passengers while the company was still recovering from Covid. 

So the ferry company you used yesterday was directly involved in Estonia’s humanitarian response to the war.

The remarkable thing is how normal it feels:

And this is perhaps the part worth emphasizing.

You sailed yesterday from one NATO capital to another across a body of water only a few hundred kilometres from Russia, amid:

Russian shadow-fleet traffic → NATO surveillance → subsea-cable security → electronic interference → dramatically increased Finnish and Estonian defense preparations.

Yet you drank coffee, wandered around the ship, watched families going on Sunday outings and arrived two hours later in Tallinn.

That normality is deliberate. Neither Finland nor Estonia considers itself at war. Their strategy is essentially to make the region so well defended and so resilient that the war stays in Ukraine rather than spreading into the Baltic.

For Finland especially, however, the transformation is historic: the country you just visited is no longer the carefully neutral buffer state that existed during most of our lifetimes. Since 2023 Finland and Estonia are formally military allies, and the Helsinki–Tallinn sea corridor now connects two countries on the same NATO defensive front.

Alfredo followed up with this:

Q. What about the economic impact?

A. Economically, the war has hit Finland harder than Estonia in absolute terms, but Estonia has felt some sharper inflationary and trade shocks because of its size and proximity.

Finland lost a large amount of Russia-related commerce almost overnight: cross-border shopping and tourism from Russians collapsed, eastern Finnish towns lost visitors and retail spending, and companies that had depended on Russian trade had to reorient. Energy was another major shock. Finland cut its dependence on Russian electricity and gas, which improved strategic security but initially pushed costs higher and required new infrastructure and alternative suppliers. Finnair was also badly affected because Russian airspace closures destroyed the geographic advantage that had made Helsinki a highly efficient hub between Europe and East Asia; flights to Japan and elsewhere became longer and more expensive.

Estonia’s economy was hit especially hard by the 2022–24 inflation and energy-price surge. Estonia had already been reducing dependence on Russian energy, but the war accelerated the process. Food, heating, electricity and transport costs rose sharply, squeezing households and businesses. Trade with Russia and Belarus shrank dramatically, while defense spending increased. For a country of only about 1.4 million people, the costs of absorbing Ukrainian refugees, strengthening borders and expanding defense are significant—even though EU support offsets some of that burden.

For the Helsinki–Tallinn ferry trade, the impact is more mixed. The route did not lose its fundamental economic purpose: Finns still travel to Estonia for leisure, shopping and services, Estonians commute or work in Finland, and freight moves between the two countries. In fact, the corridor has become more strategically important because Finland now depends more heavily on westward and southward connections through the Baltic rather than eastward links to Russia.

There have, however, been some negative effects: higher marine fuel and energy costs, inflation in wages and supplies, weaker consumer spending at points during the post-2022 downturn, and the loss of some Russian-origin tourism. Ferry companies also face higher security, insurance and operational risks because of Baltic tensions and damage to subsea infrastructure.

One especially important economic point is that the ferry is not merely a tourist service. The Helsinki–Tallinn route is effectively part of Finland’s supply chain to continental Europe. Trucks can travel by ferry from Helsinki to Tallinn and then south through Estonia, Latvia, Lithuania and Poland. Since Finland has no land border with the rest of the EU except through Sweden and Norway—and its Russian border is effectively unusable—the Baltic crossings have become more valuable economically.

So the irony is that the war has made the region poorer in some respects—less Russian trade, higher defense and energy costs—but has made the Finland–Estonia economic relationship considerably more important.