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David Perry & Associates proud to represent FLAX art & design

FLAX art & design

David Perry & Associates proud to represent FLAX art & design

www.flaxart.com

David Perry & Associates, Inc. is proud to represent FLAX art & design (www.flaxart.com). Family-owned and operated since 1938, in 2013 FLAX celebrates 75 years as San Francisco’s oldest locally-run supplier of quality materials for creative people. In 1938, Herman Flax opened Flax’s Artists’ Materials in downtown San Francisco, with $100 to invest in inventory and a used cash register, at first living in back of the shop with his family. From this humble beginning, FLAX gathered a loyal following of customers, and expanded to its current location, occupying 20,000 square feet at 1699 Market Street (at Valencia). Now operated by Howard Flax, who represents the family’s third generation along with his sister Leslie Flax Abel, FLAX art & design celebrates this business landmark with special events and promotions throughout 2013, and a grand birthday bash in August.

Interview with Howard Flax

San Francisco premiere of SHANGHAI CALLING

ChinaSF

Media Advisory / Onsite Coverage Request”:
FOR IMMEDIATE RELEASE: February 4

CHINASF TO HOST SHANGHAI CALLING MOVIE PREMIERE IN SAN FRANCISCO

Media Contacts:

Lalaine Bala, Allied-THA / LBala@AlliedTHA.com / (415) 834-1111
David Perry (ChinaSF) / news@davidperry.com / (415) 676-7007
www.chinasf.org

WHO:

SHANGHAI CALLING’s Star Daniel Henney, Director Daniel Hsia and Producer Janet Yang, San Francisco Mayor Edwin M. Lee

WHAT:

ChinaSF will host the San Francisco premiere of SHANGHAI CALLING. Press will have the opportunity to talk to Director/Writer Daniel Hsia and Producer Janet Yang, along with Mayor Lee about the film and its premiere in San Francisco.

WHERE:
Wednesday, February 6th at 5:30PM

BACKGROUND:

SHANGHAI CALLING will be opening in San Francisco at the Presidio Theater on February 8th. Starting February 12th, SHANGHAI CALLING will also be available on demand on iTunes, Amazon, Vudu, Google Play, Xbox, PSN, DirecTV, Comcast, Time Warner Cable, AT&T U-Verse, Verizon FiOS, Cablevision, Cox, Charter, and more.

SHANGHAI CALLING is written and directed by Daniel Hsia and stars Daniel Henney (The Last Stand), Eliza Coupe (ABC’s Happy Endings), Geng Le, Zhu Zhu (The Man with the Iron Fists, Cloud Atlas), Alan Ruck and Bill Paxton. SHANGHAI CALLING is a romantic comedy about modern-day American immigrants in an unfamiliar land – China. An ambitious New York attorney, Sam, is transferred to Shanghai on assignment, partially because he’s Chinese-American. For more information, visit www.shanghaicalling.com.

Established in 2008, ChinaSF is an economic initiative of San Francisco in close partnership with the San Francisco Center for Economic Development. ChinaSF’s mission is job creation in San Francisco, accomplished through the recruitment and retention of companies in San Francisco and also inbound investment, at the same time helping San Francisco companies expand into the China market. Currently with offices in Beijing, Shanghai and San Francisco, ChinaSF is able to provide services to companies and investors with the generous support of Private and Corporate Sponsors. For more information: chinasf@sfced.org

LISS FAIN DANCE 2013 HOME SEASON

Black Choreographers Festival

LISS FAIN DANCE 2013 HOME SEASON TO FEATURE PERFORMANCE INSTALLATION

“THE WATER IS CLEAR AND STILL”

Yerba Buena Center for the Arts Forum: May 16-19, 2013

www.lissfaindance.org

28 January 2013 – San Francisco, CA: Liss Fain Dance (www.lissfaindance.org) announces its 2013 San Francisco Home Season featuring “The Water is Clear and Still,” a performance installation that combines dance and music with spoken text from Jamaica Kincaid’s short story collection At the Bottom of the River. Fain’s provocative blend of choreography and literature is performed in a surreal immersive installation and sound environment in which the dancers, actor, and audience move together. A hybrid of dance, literature, theater, visual art and music, “The Water is Clear and Still” premiered in San Francisco at Z Space in May 2012. “The Water is Clear and Still” will be presented at Powerhouse Arena in Brooklyn, NY, on March 7-8, 2013, in coordination with Farrar, Straus and Giroux, publisher of Kincaid’s new novel See Now Then (2013), following a reading by Kincaid at the Brooklyn Academy of Music on March 6. For the 2013 San Francisco Home Season, “The Water is Clear and Still” will be performed at Yerba Buena Center for the Arts Forum (701 Mission Street @ Third) from Thursday, May 16, through Sunday, May 19, 2013. Performances are Thursday-Friday-Saturday at 8pm; and Sunday at 5pm. Tickets are $30 general/$15 students and seniors. For tickets and information visit www.lissfaindance.org

“The Water is Clear and Still” interweaves Liss Fain’s choreography with the spoken text of Kincaid’s sharp-edged and beautiful stories. In this riveting performance installation, the dance, spoken text, set, and sound environment encompass the performers and the audience. The set—a river in a strangely eerie and surreal grove of trees—and sound environment surround the six dancers, the actor, and the audience, which moves at will into the performance space, close to the dancers, and experiences the work from multiple perspectives.

“Fain’s choreography is both innovative and tied to geometric symmetries at the heart of ballet,” wrote Lauren Gallagher in the San Francisco Examiner (May 28, 2012). “She also welcomes audiences to either move around a piece, or, in the case of ‘The Water Is Clear and Still,’ into it.”

Dance View described “The Water is Clear and Still” as “another of Fain’s transparent and finely shaped works.” The Bay Guardian wrote, “This type of work and Fain’s type of craft are rare today. It’s a pleasure to see an active intelligence engaged in such full-bodied work.”

“The Water is Clear and Still” interweaves Fain’s imagistic, non-narrative choreography and her love of literature, through the spoken text of Kincaid’s stories. “The dance and the literature amplify and illuminate each other,” explains Fain. “The actor makes the images and emotions of the stories palpable. The text becomes a musical score for me. I use the cadences, images and feeling of the stories in creating movement. [Kincaid’s] writing is filled with striking images that can be strange, unsettling and also soothing. The choreography fluctuates as unpredictably as the text.”

“The Water is Clear and Still” was created as a collaborative effort, featuring Fain as choreographer; the company’s six dancers; Val Sinckler, a San Francisco actor with a background in dance who has worked with We Players, Lorraine Hansberry Theatre and Stanford Summer Theater; Dan Wool, composer of the immersive sound environment; installation and lighting designer Matthew Antaky; costume designer Mary Domenico; and projection designer Frédéric Boulay.

Liss Fain Dance tours nationally and internationally with work for proscenium stages and performance installations. Fain’s performance installations have been presented at art galleries, libraries, unusual architectural structures, non-proscenium venues and theaters. “I want people to experience performance installations in places that they normally frequent,” Fain says, “to make them excited and enriched, in an everyday setting, by dance and performance and literature.”

Liss Fain’s work ranges from pure dance pieces to collaborations with composers, lighting and set designers, videographers, actors and technologists. The company’s performance installations bring the audience inside the set and close to the performers. Non-narrative, highly physical and emotionally resonant, Fain’s work fuses modern dance’s forceful energy with the kinetic precision of ballet. Since its founding in Boston in 1988, Liss Fain Dance has premiered over 45 works by Ms. Fain and collaborated with individuals and organizations that include MIT’s Center for Advanced Visual Studies, The Exploratorium and The Apple Multimedia Lab. The company has performed and taught at festivals and venues in Poland, Germany, Belarus, Russia and the UK as well as colleges, universities, festivals and presenting organizations in the US. For more information, call Liss Fain Dance at (415) 380-9433, or visit www.lissfaindance.org

Revolutionary Island: Tales of Cuban History & Culture opens

Ten Percent

MEDIA ADVISORY / REQUEST FOR ONSITE COVERAGE: FRIDAY, 1/18 – 5PM

Revolutionary Island: Tales of Cuban History & Culture opens

WHAT: Revolutionary Island: Tales of Cuban History & Culture opens

WHO: Cuba’s famous artists on hand: Ruben Alpizar and Esterio Segura and curator Darius Anderson

WHERE: Sonoma Valley Museum of Art: 551 Broadway, Sonoma (just off town square)

WHEN: Friday, January 18: opening reception / media availabilities: 5pm-9pm

WEB: www.svma.org

WHY:

Nothing in Cuba is what it appears,” says Darius Anderson and he should know from his 25 plus years traveling to that fascinating island. From January 19-March 24, 2013, Anderson’s passion for Cuba will be reflected in a new exhibit coming to the Sonoma Valley Museum of Art (www.svma.org). Revolutionary Island: Tales of Cuban History and Culture The Sarah and Darius Anderson Collection.

“A culture is expressed through its art,” said Kate Eilertsen, Executive Director of the Sonoma Valley Museum of Art. “The works in this exhibition provide a profound and realistic assessment of revolutionary to present-day Cuba. Some of the works are powerfully moving, like a series of near life-sized paintings of everyday Cuban people doing everyday things, but all under water. The impact comes when you find that every one of these people of all ages—men, women, even children—have died attempting to cross over by sea to Florida. This personalizes an ongoing tragedy still relevant today.”

The Sarah and Darius Anderson Collection demonstrates that passion with objects as diverse as paintings, sculpture, humidors and more. Through this dynamic and diverse collection viewers will see not only art work illustrating the desire to express non-conformity, or even a sly, knowing wink to the savvy viewer, but also the passion for baseball, love of tobacco and a collection of historic documents that will illustrate the stories that make up the culture and history of this island of revolution. This exhibition will feature Cuban artists: Rene Francisco, Esterio Segura, Ruben Alpizar, Carlos Valera (musician) and many more.

With more than 1,000 members, the Sonoma Valley Museum of Art (SVMA) is the largest visual arts organization in the San Francisco North Bay region. It was incorporated in 1998 as a 501(c)(3) non-profit organization to promote the creation, exhibition, and collection of fine arts, to provide a venue for art exhibition in Sonoma, and to offer educational opportunities for people of all ages. It occupies an 8,000-square-foot space at 551 Broadway, just one-half block south of the historic Sonoma Plaza. The Museum purchased the building in early 2001, and completed extensive renovations in March 2004.

Darius Anderson’s Cuban Connection

Ten Percent

Darius Anderson’s Cuban Connection

Sonoma Valley Museum of Art to exhibit North Bay business insider’s unique collection of Cuban visual arts, opening January 19, 2013

www.svma.org

17 January 2013 – Sonoma, CA: North Bay business leader Darius Anderson is already widely known for his world-class collection of Jack London manuscripts, first editions and memorabilia. So it is little surprise that it was Sonoma Country’s favorite son that led Anderson to his other collecting passion—for art and artifacts from the island nation of Cuba.

An exhibit of Anderson’s Cuban collection, Revolutionary Island: Tales of Cuban History and Culture, The Sarah and Darius Anderson Collection, opens January 19 at the Sonoma Valley Museum of Art (SVMA) in Sonoma CA.

Anderson is the well-connected consultant, lobbyist and investor whose Sonoma Media Investments group recently acquired The Santa Rosa Press-Democrat and other regional media properties. He is also CEO of Kenwood Investments, a venture fund focused on California development projects, and of Platinum Advisors, a public affairs advisory firm.

Already an avid fan of Jack London adventures at age 16, “I learned that Jack had traveled to Cuba on his honeymoon in 1905,” Anderson recalled. London’s widow Charmian described the couple’s travels in Jamaica and Cuba in her 1921 memoir. “I told myself that one day, I too would visit that exotic place,” Anderson said.

His first visit was love at first sight. “There was a sweetness to the air that enticed me like dark chocolate,” he said, the same sweetness that has drawn him back more than 50 times since. Over the course of years, his fascination grew for the cultural and artistic expressions of the Cuban people in the face of momentous historical events.

From the Spanish-American War in London’s time, to pre-Revolutionary offshore vice capital, to the Cold War hot spot of Anderson’s youth, to the ongoing economic isolation of the present day, “this little island’s impact on the world has been historic,” Anderson says.

How could a small island with a population of just 11 million have such an outsized world impact? Anderson believes the answer lies in the essential cultural character of the Cuban people, combining tolerance and passion that expresses itself in Cuban visual arts across historical periods.

The wide-ranging collection includes graphic and fine arts from the pre-Revolutionary period to the present. Featured themes include commercial arts from Cuba’s native tobacco and rum industries; political poster art from the Cuban Revolution; and contemporary fine art that speaks to Cuba’s unique world role. A timeline of Cuban political and cultural history, illustrated with artifacts, contextualizes the visual art displays.

“We are very pleased to have the opportunity to present this important body of works by a prominent local collector. Darius embodies the qualities of vision, enthusiasm, and community involvement that are essential to the work of any important art collector,” said SVMA director Kate Eilertsen.

Anderson acknowledges that his fascination with Cuban art and culture was fed in part by its forbidden nature. The U.S. government has restricted its citizens from travel to Cuba since 1960, part of a program of economic embargo that Anderson regards as Washington’s “greatest international policy failure.”

In addition to his admiration for the Cuban people, Anderson credits family members for inspiring the collection. He honors his parents for teaching him to find beauty in people and places and his wife Sarah for supporting his passion for collecting Cuban art.

With more than 1,000 members, the Sonoma Valley Museum of Art (SVMA) is the largest visual arts organization in the San Francisco North Bay region. It was incorporated in 1998 as a 501(c)(3) non-profit organization to promote the creation, exhibition, and collection of fine arts, to provide a venue for art exhibition in Sonoma, and to offer educational opportunities for people of all ages. It occupies an 8,000-square-foot space at 551 Broadway, just one-half block south of the historic Sonoma Plaza. The Museum purchased the building in early 2001, and completed extensive renovations in March 2004.

A special members’ preview will be held Friday, January 18 at 6 pm. Special programs and events will be held throughout the exhibition. The exhibition will open to the public Saturday, January 19, 2013. Museum hours are Wednesday–Sunday from 11am to 5pm. More information about the Sonoma Valley Museum of Art is available at www.svma.org or by calling (707) 939-7862.

Visit www.jacklondoncollection.com for more information about The Jack London Collection by Sarah & Darius Anderson.