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Author: Alfredo Casuso

A Day’s Journey: San Fernando, Sanlúcar – Oh My!

A Day’s Journey: San Fernando, Sanlúcar – Oh My! 
— By David Eugene Perry

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(The view from Càdiz Cathedral. Photo by Alfredo Casuso)

After a deliciously decadent breakfast at the Parador we head to the Cádiz waterfront, still thinking about how the old city was once a true island, connected to the mainland only by narrow causeways and bridges built in the 20th century. The sea breeze carries centuries of history: Phoenicians, Greeks, Romans, and Moors all left their imprint on this Atlantic outpost.

From there, we cross toward San Fernando, long tied to Spain’s naval tradition, and make a stop at its Maritime Museum. It’s a treasure trove for a “ship nut” like me, and good preparation for my next set of “Liner Lore” maritime history presentations aboard Holland America “Oosterdam” and Seabourn “Encore.”

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(The San Fernando Naval History Museum. Photo by Alfredo Casuso)

Here are some highlights.

• A finely crafted model of the transatlantic liner Cristóbal Colón, once a mail steamer running routes from Bilbao, Santander, and Gijón to Havana, Mexico, and New York. Seeing its polychrome wood detail brings to life the glamour of early 20th-century ocean travel. Wrecked in October 1936, she’s the largest wreck (and in shallow water a popular diveable one) off Bermuda l.

• Exhibits on the dawn of Spanish Naval Aviation: in 1917, King Alfonso XIII approved the creation of an aviation branch of the Armada, and by 1925 Spain boasted its first naval planes, dirigibles, and a base at El Prat de Llobregat.

• A bold patch and model of the carrier Dédalo, symbolizing Spain’s modern naval aviation era.

• A moving gallery on the Gesta del Glorioso (1747), when Captain Pedro Mesía de la Cerda fought through successive British squadrons carrying four million pesos of silver. Despite immense odds, he sank enemy ships before finally being forced to strike his colors when his ammunition was exhausted — a testament to Spanish seamanship.

• The haunting, half-preserved bust of the Virgen del Rosario, once carried aboard ships as a patroness of sailors. Hidden texts found inside it during a 2011 restoration speak of prayers for safe passage across dangerous seas. This figurehead was at the bow of one of the Spanish ships during the seminal Battle of Lepanto. The docent, clearly a proud Spanish navy veteran, told me “this is the most important item in the museum.” I would absolutely agree. Lepanto has always fascinated me, and is inarguably one of the most important moments in world history of the last millennium.

• A portrait of Ana María de Soto y Alhama (1775–1833), who disguised herself as a man to serve in the Navy. Fighting aboard frigates and at the battle of Cape St. Vincent, she earned the rank and pension of a first sergeant — proof that courage at sea knew no gender.

Leaving San Fernando, we continue north along the Costa de la Luz. Our first pause is in Rota, a town where the U.S. naval base shapes daily life. Americans and Spaniards mingle here; service members often live off base, while locals find steady work within.

Just beyond is Costa Ballena, the “Whale Coast,” a resort complex of beaches, golf courses, and airy apartments built in the 1990s. Many who work at the base make it home, drawn by its modern comfort and proximity to the sea.

In Chipiona, we crane our necks up at the towering lighthouse, tallest in Spain, then visit the Santuario de Nuestra Señora de Regla, guardian of sailors. Here the legacy of the legendary singer Rocío Jurado, “La Más Grande,” still permeates; her statue by the waterfront is a place of pilgrimage. Only my personal favorite, Lola Flores, is more iconic. but Sadly, both those great talents have passed on, but their music and influence is ubiquitous still — especially in Andalucía. Sweet moscatel wine is Chipiona’s pride, and its golden beaches stretch endlessly, punctuated with bodegas.

Finally, we arrive in Sanlúcar de Barrameda, poised on the Guadalquivir where river meets ocean. As my underway new novel, “Thorns of the 15 Roses”, includes the historical character Juan Ponce de Leon, a visit here from whence he sailed on Columbus’ second voyage is a must. Sanlúcar is drunk with history. Some highlights that especially interest me:

• Columbus’ Second Voyage (1493) provisioned in Sanlúcar before carrying settlers and livestock to the Caribbean.

• His Third Voyage (1498) set sail from this very port, bound for Trinidad and the South American mainland.

A generation later, Magellan departed with five ships in 1519, and Elcano limped back in 1522, completing the world’s first circumnavigation aboard the nao Victoria.

During our brief stop in Sanlúcar, we finally find my traveling San Pancracio statue. It’s tradition for offices, bars and other businesses in Spain to have a small figurine of “The Patrion Saint of Work.” My remote office is now complete. 

As we visit the old town, we stop for a vermut and beer. Undoubtedly Juan Ponce de León had one here, too, before starting Christopher Columbus’ second voyage. 🙂 It’s quite the place. This city of only 70,000 was declared “Spain’s Capital of Gastonomy” in 2022. Wineries and especially those specializing in the local sherry, manzanilla, stand cheek to croqueta, along the main plaza leading to the banks of the Guadalquivir from which legendary voyages of discovery departed.

But, the final treat of the day awaited: the Castle of Santiago in the upper part of the old town. Next to historic wineries, including the legendary Barbadillo Bodega is arguably one of Spain’s best preserved and most impressive fortresses. From these ramparts a young Queen Isabella saw the sea for the first time. A few decades later, she was sending Columbus to “The New World” from these very waters.

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(The Castle of Santiago. Photo by Alfredo Casuso)

Well walked and well historied, we return to our favorite Grazalema watering hole, Zulema, and toast an incredible two days walking in the steps of explorers.

Beware Fake News Sites in Times of Crisis

Beware Fake News Sites in Times of Crisis

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On a day of stomach turning violence, witnessed by millions now who have seen the video of Charlie Kirk’s murder (images akin to the Zapruder film of the JFK assassination), this story (link below) should be a warning and call to action for all of us in the communications business. 

Before we speak, post or share: know the truth, know the source, and know if it’s real. Fake news sites to make money are a cancer on our society. Sadly, they’re not going away, so we must be ever more vigilant.

https://www.nytimes.com/2025/09/11/technology/charlie-kirk-shooting-false-accusation.html?smid=url-sharem

September 18 Acclaimed Operatic Soprano Breanna Sinclairé Featured Soloist in World Premiere of Andrew Yee’s Trans Requiem at Trinity

September 18 Acclaimed Operatic Soprano Breanna Sinclairé Featured Soloist in World Premiere of Andrew Yee’s Trans Requiem at Trinity

Media Contact: David Perry & Associates, Inc. / (415) 676-7007 / news@davidperry.com

Acclaimed Operatic Soprano Breanna Sinclairé
Featured Soloist in World Premiere of Andrew Yee’s Trans Requiem
at Trinity NYC September 18

NOVUS “Renewal: Undivided” concert invites audiences into empathy and transformation;
free registration recommended

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 (Photo by: Spencer Aldworth Brown)

10 September 2025 — San Francisco / New York: NOVUS, Trinity’s acclaimed new-music ensemble, continues its groundbreaking Renewal series with Undivided, culminating in the world premiere of Andrew Yee’s Trans Requiem on Thursday, September 18, a large-scale work for trans voices, choirs, and orchestra commissioned by Trinity. Internationally recognized soprano Breanna Sinclairé joins fellow soloist Katherine Goforth, the Trinity Choir, Trinity Youth Chorus, and NOVUS in this bold celebration of authenticity and dignity.

Trans Requiem gives voice to memory, resilience, and joy—without apology,” said Breanna Sinclairé. “To sing this premiere with Trinity is to stand in the light with my community and say: our stories are sacred, our lives are music, and every voice deserves to be heard.”

In addition to Trans Requiem, the program features a Trinity arrangement of Samuel Barber’s Agnus Dei (Adagio for Strings) and Pauline Oliveros’ Sonic Meditations, inviting everyone in the church to become performers and collaborators—an immersive act of community listening and shared breath.

“Trinity’s Renewal series is about transforming how we gather and why we sing,” said Melissa Baker, Director, Artistic Planning for Trinity. “Andrew Yee’s Trans Requiem expands the choral-orchestral tradition with a powerful, deeply personal statement. With Breanna Sinclairé, Katherine Goforth, our choirs, and NOVUS, audiences will experience an evening of empathy, courage, and breathtaking artistry.”

Breanna Sinclairé is an acclaimed American soprano and the first transgender woman to sing the U.S. national anthem at a professional sporting event. A graduate of CalArts and the San Francisco Conservatory of Music, she has appeared with leading artists and orchestras at major venues across the U.S. and Europe, in productions including Carmen, The Magic Flute, and La Calisto. Sinclairé was featured in the opera-film Bound (Against the Grain Theatre), starred in PBS’s True Colors: LGBTQ+ Our Stories, Our Songs, and was honored by the San Francisco Business Times as an Outstanding Voice. Media features include The New York Times, NPR, and CNN. More: breannasinclaire.com.

Trinity Church NYC is an Episcopal parish in Lower Manhattan known for a vibrant spiritual life and a globally recognized music program. Through the Trinity Choir, Trinity Youth Chorus, and NOVUS (Trinity’s new-music ensemble), Trinity commissions, performs, and records repertoire spanning centuries, with a special commitment to new work that speaks to today. Trinity’s concerts, community partnerships, and free or low-cost offerings make world-class music accessible to all while fostering creativity, compassion, and civic engagement.

Performance details
Thursday, September 18, 2025 — 7:00 p.m. (recorded performance)
Venue: Trinity Church (Wall Street)
Tickets: Free; registration highly recommended as seating is limited
Registration: event page here
We suggest arriving 45 minutes before start time. Admission is first-come, first-served, with ticket holders receiving priority (not guaranteed if capacity is reached).

Program at a Glance

  • World Premiere: Andrew Yee — Trans Requiem (commissioned by Trinity)
  • Samuel Barber — Agnus Dei (Adagio for Strings), Trinity arrangement
  • Pauline Oliveros — Sonic Meditations (audience-participatory)

Performers: Breanna Sinclairé (soprano), Katherine Goforth (soloist), Trinity Choir, Trinity Youth Chorus, and NOVUS.

Registration (free): https://www.eventbrite.com/e/novus-renewal-undivided-tickets-1542599750379?aff=MusicNewsletter

Orvieto 1943: War, Memory, and the Stories We Still Tell


Orvieto 1943: War, Memory, and the Stories We Still Tell

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On September 9, 1943, the people of Orvieto awoke to a new reality. Italy had just signed the Armistice of Cassibile, surrendering to the Allies and breaking with Nazi Germany. Within hours, German troops swept into Umbria, executing Operation Achse, a lightning-fast plan to occupy central and northern Italy.

Perched on its volcanic cliffs between Florence and Rome, Orvieto’s strategic location made it a vital prize. German soldiers disarmed Italian troops, imposed curfews, and requisitioned supplies. The city’s majestic Gothic cathedral, a symbol of endurance and beauty, became the silent witness to fear, hunger, and uncertainty.

Tragedy at the Bridge of Allerona

Beyond Orvieto’s walls, the war’s cruelty struck in an unexpected way. On January 28, 1944, Allied bombers targeted the bridge at Allerona as a German train crossed it. Unknown to the pilots, that train was filled with Allied prisoners of war. The attack killed and wounded hundreds in one of the most devastating friendly-fire disasters of the campaign. Survivors described leaping from flaming boxcars into the Tiber River below—a moment of chaos and despair still etched in memory.

The Seven Martyrs

Inside Orvieto, resistance had its price. On March 22, 1944, seven young men accused of aiding partisans were executed by the occupying Germans. They became the “Sette Martiri di Orvieto” (Seven Martyrs of Orvieto), a permanent symbol of courage and sacrifice. Their story continues to inspire, standing for all those who risked their lives to defy tyranny.

Liberation and the “Open City”

By early June 1944, Allied troops were pressing north after the fall of Rome. To preserve its historic center from destruction, Orvieto was declared an “open city.” The decision—shaped in part by quiet negotiations between the German commander and local clergy—saved the cathedral and much of Orvieto’s heritage. When Allied forces entered soon after, they found a community exhausted but intact, emerging from nine months of occupation and grief.

History in Modern Storytelling

These events have not faded into silence. Instead, they continue to inspire writers and artists:

• In Colloquia, playwright David Zarko explores the clandestine friendship between German commander Alfred Lersen and Monsignor Francesco Pieri, Orvieto’s bishop. Meeting in the cathedral, they converse in Latin, share music, and ultimately influence the city’s salvation as an open city.

• In Upon This Rock, author David Eugene Perry threads Orvieto’s wartime shadows into a modern thriller. A visiting American couple uncovers Vatican secrets and conspiracies tied to the city’s WWII past, blending history, faith, and mystery into a compelling narrative.

A City That Remembers

Today, Orvieto is admired for its beauty and art, but beneath the cobblestones lies another story—one of resilience in the face of war. From the ruins of the Allerona bridge to the memorial of the Seven Martyrs, the echoes of 1943 are never far away. They remind us that history here is not just remembered; it is still alive, inspiring new generations of stories.

Porchfest Benicia and the Benicia Moms Group Present “Little Porch Heads” Family Festival

media contact:  David Perry & Associates, Inc / (415) 676-7007 / news@davidperry.com 

Saturday, September 13 
Porchfest Benicia and the Benicia Moms Group Present
 “Little Porch Heads” Family Festival

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8 September Benicia, CA: As famed composer Richard Rodgers said: “Music is the universal language of childhood.” So this year’s second annual Porchfest Benicia (www.porchfest-benicia.comLittle Porch Heads”on Saturday, September 13 (12pm – 5pm) will give everyone a lot to talk — and sing out — about!

“This year’s Little Porch Heads will be an absolute delight,” said Mary Hand, Publisher of Benicia Magazine and creative force behind the free musical festival. “Last year, it was heart-warming to see our porches and streets filled not just with music, but with the laughter of children and families discovering joy and the power of music together.”

A partnership with the Benicia Moms Group,“Little Porch Heads is a special family festival inside Porchfest at City Park on Saturday, September 13 from 11am – 2pm. Families can kick back, spread out a blanket, and enjoy live music by InHarmony, face painting, hands-on activities hosted by Lo’s Playtown. Refreshing Kona Ice,and  complimentary waters, juice, and snack bags will be served, courtesy of the Benicia Moms Group.

“Free and open to all, “Little Porch Heads” is the perfect way to relax in the grass, soak up the good vibes, and let the kids play before heading right into the rest of the PorchFest celebration downtown,” said Hand, noting that the full festival kicks off at 1pm.

With more than 10,000 attendees last year filling Benicia’s historic streets and enjoying music-and-play performances—and families exploring dedicated children’s activities— Porchfest Benicia has already become one of the Bay Area’s most anticipated family-friendly community experiences. The Kids’ Zone brings families and local visitors together for a free day of live music, interactive play areas, and sweet treats—designed especially for children.

“This is the perfect back-to-school season family outing,” said Benicia Mayor Steve Young. “This festival has captured not only the heart of Benicia general, but the hearts of our youngest citizens, too. Benicia has always encouraged creativity and connection across generations, and Porchfest’s children’s component beautifully embodies that spirit. We were thrilled by the turnout of families last year and we can’t wait to welcome even more this year.”

“Porchfest is all about bringing people together—big and small alike,” said Hand. “We’re excited to build on last year’s success with more children’s acts, more interactive play, more kid-centric treats—and of course, even more smiling little faces.”

Porchfest is an annual celebration that began in Ithaca, New York, in 2007, and has since spread across the United States and Canada. It brings together local musicians, families, and community members to showcase talents—and childhood wonder—on front porches, storefronts, and driveways, promoting a sense of community pride and inclusion. Nestled on the Carquinez Strait, Benicia is a city rich in history and culture, known for its vibrant arts scene, historic architecture, and warm, family-friendly community.