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Author: Alfredo Casuso

Art, History and a Search for Santa’s Mailbox

Art, History and a Search for Santa’s Mailbox

Ahoy! Art, History and a Search for Santa’s Mailbox in Nuuk, Greenland
by David Eugene Perry

8 August 2026:  Ahoy from Nuuk, Greenland! Today, Alfredo and I walked about town – our first visit since 2010. What can we say – the town has grown! When we were here 16 years ago, the city had around 15,000 residents. That has now expanded to over 20,000 with a slew of new buildings.  We started our walk-about in search of “Santa’s Mail Box”: A giant red post box which is “The Official Address for the North Pole.” More about that anon.

As we strolled on this clear but pleasantly cool day, we came across several historic statues and the Icelandic Consulate.

King Frederik IX and Queen Ingrid — 12 July 1952. This simple stone commemorates the Danish royal couple’s visit to Greenland in 1952. Frederik IX was King of Denmark from 1947 to 1972, during a period when Greenland’s constitutional relationship with Denmark was changing substantially. The marker is essentially a visit memorial rather than a portrait monument.

Hinrich Johannes Rink, 1819–1893. Rink was a Danish geologist, explorer and colonial administrator who became one of the major 19th-century scholars of Greenland. Importantly, he collected Greenlandic stories, drawings and oral traditions and helped establish a printing press and newspaper culture in Greenland. The inscription on the monument essentially says that he “loved and knew the Greenlanders.” One oddity: the monument gives his death date incorrectly as 1894; records indicate he died in December 1893.

Jonathan Petersen, 1881–1961. Petersen was one of Greenland’s great cultural figures: an organist, composer, writer and linguist. Most famously, he composed the melody of “Nunarput utoqqarsuanngoravit,” Greenland’s national anthem. He also worked extensively on Greenlandic language and orthography and produced dictionaries and teaching material. His memorial stands near Nuuk Cathedral.

Hans Egede, 1686–1758. This is probably Nuuk’s most historically loaded monument. Egede was the Dano-Norwegian Lutheran missionary who arrived in Greenland in 1721 and whose mission ultimately led to the establishment of the colonial settlement of Godthåb — modern Nuuk. The Nuuk bronze is based on a sculpture by Danish sculptor August Saabye. Today Egede’s legacy is contested: he is remembered both for the establishment of the church and literacy tradition and as a symbol of Danish colonisation and the suppression of Inuit beliefs. The statue has repeatedly become a focus of Greenland’s modern debate over colonial history.

After we descended the hill with Egede’s monument, we came across an especially beautiful sculpture down by the water: Sassuma Arnaa — the Mother of the Sea.  It is by Greenlandic artist Aka Høegh, one of Greenland’s leading contemporary artists. It illustrates the Inuit story of the Mother of the Sea: when people break taboos, the animals become tangled in her hair and disappear from the hunters; a shaman must descend to her underwater world and comb her hair, releasing the seals and other sea animals again. The sculpture’s placement is deliberate — at high tide it can be partly submerged, so the sea effectively becomes part of the artwork.

Nearby, and also overlooking the iceberg rich waters is newly prominent memorial stone: Arnarulunnguaq, 1896–1933.  Arnarulunnguaq was a Greenlandic woman from the Thule region and the only woman who took part in Knud Rasmussen’s Fifth Thule Expedition, the extraordinary 1921–24 journey across Arctic North America investigating connections between Inuit peoples. She travelled thousands of kilometres by dog sled, sewing and repairing the skin clothing that was essential to the expedition’s survival, as well as acting as an expert in the practical skills of Arctic travel. Her contribution was long overshadowed by the famous male explorers, so this monument is very consciously redressing that imbalance.

From art we proceeded to learn about the production of train oil here at Nuuk. Until the mid-1900s, there were train oil factories in most towns in Greenland. The production process by which train oil was extracted involved boiling blubber of whales, walruses and seals as well as liver of sharks in large vats. KGH, the company holding the concession, undertook both the production of train oil and its sale to Denmark and other European countries, where it e.g. was used as lighting, soap-making and lubricating oil. Over the course of time, however, competition from vegetable oil intensified and brought train oil production to a halt in 1963.

Whale blubber, processed into oil, was one of the most important export commodities that subsidized The Royal Greenland Trading Department (KGH) and the colonization. In 1869, the sale of whale oil provided 84% of the KGH’s total revenue. A Greenlandic hunter got 5 Danish rigsdaler for a tub of blubber, only 1/6 of what the oil was sold for in Copenhagen.

A bit further, we encountered an atmospherically displayed old lifeboat: the sort that was launched by rails from land into the sea to help sailors in distress. Nuuk had—and still has—no road connection to other towns, so coastal boats carried people, supplies, hunters and fishermen through waters where sudden weather, cold seas and rocky shorelines made rescue capability especially important. The old harbour around our walking tour today grew around exactly that maritime world; today the Nuuk Local Museum occupies the city’s former boatyard and preserves the story of Nuuk particularly from the 1950s onward.

The construction of the boat is interesting too. It’s a heavily built, double-ended wooden open boat, shaped so that it can take rough water without needing the broad, flat stern of a modern motorboat. The enormous steel cradle surrounding it is now supporting the hull as a museum object; those uprights aren’t part of the original boat.

Above the museum, consulate, statues and lifeboat we spy a string of stairs, strung along the coast:  a beautiful trail of unfinished wood that goes up and hugs the coast. It’s a perfect overlook with views of icebergs, boats, and the sea.  As we walk, a bright yellow boat scoots into view: The Ice Force VIII, one of Nuuk’s local passenger boats/water taxis. She’s a relatively compact vessel, about 22 metres long and 6 metres wide, registered in Greenland and classed as a passenger ship. She operates out of Nuuk and is used for carrying passengers around the fjords and coastal waters — the sort of boat used for transfers, sightseeing and excursions among the islands and icebergs.  Ice Force VIII has actually become quite a recognizable Nuuk boat. In March 2025 she was photographed travelling among icebergs in Nuuk’s bay, including a striking shot framed through a hole in an iceberg.

After our hike on the raised wooden pathway, we head back into the center of the town, framed by row after row of large residential blocks. This are the Tuapannguit apartment towers, built between 2007 and 2011. The development created about 210 apartments in eight-story buildings, replacing three older 1960s housing blocks. When were in Nuuk 16 years ago, they were still under construction.

Now around 11:30am, we’re still in search of “Santa’s Mailbox” we do spy something familiar from our previous visit: Daddy’s Bar. Alfredo orders a local beer. Remembering Iceland’s prohibition on hard liquor before 1pm and wondering if Greenland is the same, I inquire as to the possibility of a gin and tonic.  The friendly Scandinavian barman shrugs with a smile: “I’ll serve you anything you like any time.”

He’s clearly a wise barista in light of the climate: Winters in Nuuk are cold, snowy, windy, and very dark, but not as brutally cold as Greenland’s name might suggest because the ocean moderates the climate. In midwinter, daytime temperatures are typically around −5 to −10°C (23 to 14°F), with colder spells below that. Snow cover can persist for months, and strong coastal winds can make it feel much colder. December has only about four hours of daylight, although Nuuk is just south of the Arctic Circle, so the sun does still rise.

The payoff is that winter is also prime season for Northern Lights, crisp snow-covered mountains, frozen fjord scenery, and dog sledding farther north. Nuuk itself stays very much alive through winter rather than shutting down.

As we head back, we stop in the local tourist office and finally inquire as our search for the official “North Pole Address” have been for naught. A friendly young guide in the office, likely a toddler during our last visit, frowns in a friendly  manner and says: “You remember correctly, the mail box used to be here, but it’s been moved farther north.”

Santa’s giant red mailbox is now in Uummannaq, a town in northwestern Greenland beneath its distinctive heart-shaped mountain. It was moved from Nuuk to Ilulissat around 2011–2013, and then from Ilulissat to Uummannaq in 2018. In what can only be described as friendly, Elfin assistance, students at Uummannaq’s Atuarfik Edvard Kruse school help answer the letters sent to Santa.

So yes, Virginia, there is a Santa Claus, and his address is in Uummannaq, Greenland.

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Alfredo Casuso & David Perry at Santa’s Mailbox in Nuuk, Greenland: 2010
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First Footsteps in Greenland: Exploring Historic Paamiut

First Footsteps in Greenland: Exploring Historic Paamiut
— David Eugene Perry

7 August 2026: Ahoy! Today we set foot in Greenland for the first time this trip: Paamiut, with a population of about 1300. It is a true Arctic village, first settled around 1500 B.C. Although Paamiut is home to only about 1,300 residents today, archaeology tells us people have lived in this region for more than 3,500 years.

A short distance from the tender landing in the center of town is a plaque bearing the words PaamiutAsasaraMy Beloved Paamiut.”

Written by Enok Poulsen in 1988, it expresses something every resident seems to understand instinctively: no matter how far one travels, thoughts eventually return home. Below is the translation

Even though I travel far from here,
and visit many other places,
my thoughts always return
to my homeland,
to my own people,
to my beloved Paamiut.

Though I may meet new friends,
and see beautiful lands,
nothing can replace
the place where I was raised,
the land that gave me life—
my beloved Paamiut.

The mountains,
the sea,
the islands,
all belong to my memories.
Paamiut, my beloved.

No matter where I journey,
no matter how long I stay away,
I will always long to return
to my homeland,
to my people,
to my beloved Paamiut.


A short walk away is the Eqqissinerup Oqaluffia (Church of Peace), Paamiut’s historic Lutheran church. Designed in the style of a traditional Norwegian stave church, its distinctive red exterior and green roof have made it one of the town’s best-known landmarks for more than a century. Inside, the sanctuary is warm, intimate, and beautifully understated. Soft blue walls frame a white altar beneath an elegant vaulted ceiling. 

Suspended overhead is one of the church’s most distinctive features—a beautifully crafted sailing ship hanging from the ceiling. Model ships suspended in Scandinavian churches have long symbolized both thanksgiving and prayer. In fishing communities like Paamiut, where generations earned their living from the sea, the ship represents hope for safe voyages and remembrance for those who never returned.

Outside, the adjoining cemetery spreads gently across the hillside, its simple white crosses standing against the gray granite and green tundra. Bright artificial flowers decorate many graves, adding welcome color to an otherwise subdued landscape.

Among the memorials we encountered was one that particularly caught our attention: a monument to five local men:

• Elias P.P.A.E. Møller

• Adolf D.H.J. Hansen

• Søren A.K. Kleist

• Emanuel Steffensen

• Nikolaj J.J. Hansen

The inscription records the date:

23 September 1940

At first glance one might assume they were casualties of war. In fact, historical records tell a different—and perhaps even more poignant—story. During the Second World War, these five men departed aboard a small motor vessel from Sisimiut. The boat never returned. After severe storms swept Greenland’s southwest coast, it was concluded that the vessel had foundered with all hands.

Nearby stands another memorial honoring those lost at sea, reminding visitors that tragedy has long been woven into everyday life along Greenland’s rugged coastline. Before radar, GPS, and modern forecasting, fishermen ventured into some of the world’s most unforgiving waters in comparatively tiny vessels, relying largely on experience, instinct, and faith.

Just a short distance away sits one of Paamiut’s oldest surviving reminders of everyday life before modern housing: A traditional Greenlandic turf house. This kind of structure served as a family’s winter home for centuries. Built with stone walls packed with thick layers of turf, these ingenious dwellings provided excellent insulation against the Arctic cold. Driftwood, a precious commodity in treeless Greenland, formed the roof supports, while stretched seal intestine covered the window openings, allowing light inside while keeping out the wind. Heated by seal-oil lamps and the occupants’ own body heat, families slept together on raised platforms covered with animal skins. Larger houses sometimes sheltered several families under one roof. This reconstruction, completed in 1998 using original 1940s plans whenever possible, offers a fascinating glimpse into everyday life in Greenland before modern housing.

Next to the house, one of my favorite things: a ship, albeit now on land as a museum piece. The fishing vessel DINA as built at the Svendborg Shipyard in Denmark in 1948 and delivered to Paamiut the following year. Owned by local fishing pioneer Anthon Petersen, who named the vessel after his wife, Dina, it was the largest fishing vessel sent to Greenland that year and was used for pound-net and trawl fishing. After Petersen’s death in 1984, a memorial was erected in his honor opposite the museum. In 1992, DINA was donated to the Paamiut Museum, where it remains on display as a reminder of the town’s commercial fishing heritage.

After our initial walk about, we headed to the overlook above town. The climb was gradual until the very end, where an observation tower beckoned with spectacular views—and one final obstacle. To reach the platform required climbing through a trap door, an architectural feature that probably never bothers most visitors but instantly gets the attention of anyone like me who dislikes heights. I took a deep breath, climbed through. Beyond the harbor floated icebergs of every imaginable shape while, farther offshore, Nieuw Amsterdam rested quietly and frigidly at anchor. I gave Alfredo a quick wave from above, admired the magnificent panorama long enough to justify the effort, and then happily returned to solid ground.

Not everything we encountered celebrated the past.One particularly interesting sign introduced us to Pilersitsivik Paamiut, a vocational program investing in Greenland’s future by preparing young people for maritime careers.

Rather than emphasizing classroom learning alone, the program focuses upon practical skills, craftsmanship, outdoor experience, and maritime training. The accompanying photographs show young Greenlanders learning everything from workshop skills to hunting, fishing, navigation, equipment maintenance, camping, and teamwork.

It struck me that this was a fitting continuation of the town’s history. For countless years, survival here has depended upon practical knowledge passed from one generation to the next. Today that tradition continues in a different form. It’s a rugged place to eke out a living.

Greenland is an autonomous territory within the Kingdom of Denmark. Greenlanders are Danish citizens and carry Danish passports, while Greenland has its own parliament (Inatsisartut) and government responsible for most domestic affairs under an expanded system of self-rule adopted in 2009. Denmark retains responsibility for defense, foreign policy, and citizenship. Although Greenlanders are Danish—and therefore EU—citizens, Greenland itself is not part of the European Union, having withdrawn from the European Economic Community in 1985 following a referendum, primarily over fishing rights. Greenlandic (Kalaallisut) is the official language, and Danish is also widely spoken, a dual heritage reflected in many of the bilingual signs found throughout Paamiut.

During the Second World War, Paamiut remained a small fishing community rather than a military center, but the war still affected daily life. After Germany occupied Denmark in 1940, Greenland was administered locally while the United States established bases elsewhere on the island to protect North Atlantic shipping routes and support Allied operations. Paamiut’s residents continued to rely on fishing and coastal shipping, but wartime conditions made those already hazardous waters even more difficult.

Now, thumb-typing on my iphone as we wait for the tender back to the ship, we’re looking forward to a nourishing hot toddy and then tonight’s traditional Dutch / Indonesian “Rijstaffel” dinner— a Holland America classic.

As our tender approaches Nieuw Amsterdam we pass the wreck of the Greenland Star. The 288-foot factory trawler was built in Bremerhaven, West Germany, in 1964 and originally sailed as Heidelberg. It ran aground at the entrance to Paamiut’s harbor on December 15, 1984, and it remains have rusted there ever since

A note about the colorful houses of Paamiut (and throughout Greenland): It’s not just an aesthetic choice.

Beginning during the Danish colonial era, building colors traditionally indicated their functions: red identified churches, schools, shops and the homes of teachers, ministers or traders; yellow marked hospitals and housing for doctors and nurses; green denoted power, mechanical or telecommunications facilities; blue was associated with fish factories and processing plants; and police stations were painted black. The system allowed residents to recognize important buildings at a glance before towns had formal street names and house numbers. Today the colors are used more freely, but they remain one of Greenland’s most distinctive architectural traditions.

Ocean Liners in Battle & Disguise

Ocean Liners in Battle & Disguise

Ocean Liners in Battle & Disguise

— David Eugene Perry

Ahoy! In the category of “truth is stranger than fiction” here are some tall but true tales of passenger ships put into military service during WWI.

When the world plunged into the First World War in 1914, global navies desperately needed fast, large vessels to hunt enemy merchants and enforce blockades. To fill the gap, they turned to the ultra-luxurious, floating palaces of the golden age of ocean travel.

From a surreal duel between identical doubles to a sailing raider that used a “tsunami” as an excuse, these converted passenger liners proved that wartime reality is often wilder than any movie script.

The Surreal Doppelgänger Duel: Trindade Island:

Perhaps the most bizarre naval encounter in history took place on 14 September 1914, off the remote Brazilian island of Trindade.

The German navy had converted a brand-new, luxury passenger liner named the SMS Cap Trafalgar into an auxiliary cruiser. To sneak past British patrols, the Germans removed one of her three funnels and painted her in the distinctive red-and-black colours of the British Cunard Line. Their goal? To perfectly impersonate the British liner HMS Carmania.

By a spectacular twist of fate, the real HMS Carmania was patrolling the South Atlantic and stumbled upon her own double refueling at the island.

When the two massive ships squared off, it resembled an old-school pirate duel. The Cap Trafalgar used rapid-firing machine guns to shred the Carmania’s bridge and set her upper decks ablaze. However, the Carmania’s heavier 4.7-inch guns punched fatal holes below the German ship’s waterline. After two hours of intense firing, the disguised Cap Trafalgar capsized and sank. Her surviving crew were rescued by nearby German supply colliers, while the crippled Carmania was escorted safely to port.

The Masters of Disguise:

The Cap Trafalgar wasn’t the only ship playing dress-up. Germany relied heavily on disguised commerce raiders to slip through the tight British North Sea blockades.

  • SMS Kaiser Wilhelm der Grosse: This massive four-funnelled luxury liner was converted into a raider at the start of the war. She successfully hunted Allied merchant ships while strictly following humanitarian rules—ensuring passengers were safely offloaded before sinking their ships.
  • SMS Möwe: This converted cargo ship hid heavy artillery behind folding steel panels. She would approach unsuspecting Allied ships flying a friendly, neutral flag, suddenly drop her fake walls to reveal her cannons, and force a bloodless surrender. She captured or destroyed 40 ships.

The Tsunami Excuse of the “Sea Eagle”:

The award for the most romantic—and deceptive—disguised raider goes to the SMS Seeadler (The Sea Eagle). Commanded by the legendary Count Felix von Luckner, this was a captured, three-masted steel sailing ship. Using sails as a perfect cover, she posed as a harmless wood-carrier to slip past British blockades, successfully capturing 15 vessels in the Atlantic and Pacific.

Her end, however, is shrouded in a classic maritime tall tale. In August 1917, the Seeadler was wrecked on a coral reef in French Polynesia.

While Captain von Luckner officially reported that a sudden 1917 Pacific tsunami lifted the ship and smashed it onto the reef, modern historians and prisoner diaries tell a different story. It turns out the crew was likely enjoying a lovely beach picnic, got distracted, and let the ship drift onto the coral. The “tsunami” was almost certainly a fabricated story to save the captain from a humiliating court-martial!

Whether dealing with real naval gunfights or elaborate captain’s cover-ups, the disguised liners of WWI proved that truth truly is stranger than fiction.

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Monday, August 10 BrewBird Brings a Global Coffee Flight to Kick Off San Francisco International Week

Media Contact:
David Perry / (415) 676-7007 / news@davidperry.com

On Monday, August 10 BrewBird Brings a Global Coffee Flight to Kick Off San Francisco International Week

5 August 2026 – San Francisco, CA: Coffee has a way of bringing people together. It crosses borders, starts conversations, and turns strangers into friends.

On Monday, August 10, BrewBird is celebrating that idea by bringing a global coffee flight to Opening Night: International Networking Night, the kickoff event for San Francisco International Week 2026.

From 5:30–8:00 p.m. at Rincon Center (101 Spear Street), guests will be invited to explore coffees from around the world through four exceptional Bay Area specialty roasters. Each coffee tells a different story, showcasing the people, places, and traditions behind every cup.

The event is open to the public and will bring together business leaders, entrepreneurs, consulates, community organizations, and San Franciscans for an evening celebrating the global connections that make the city so unique.

“Coffee might be one of the world’s greatest connectors. It’s grown across continents, shaped by different cultures, and almost always shared with other people,” said Mickey Du, CEO of BrewBird. “We’re excited to celebrate that spirit by introducing guests to incredible coffees from our roasting partners while bringing people together over something everyone can enjoy.”

“San Francisco has always been a city built on global connections,” said Rodney Fong, President and CEO of the San Francisco Chamber of Commerce.  “International Week celebrates those relationships while creating new opportunities for collaboration and commerce. BrewBird’s global coffee flight is a perfect reflection of that mission.”

The Global Coffee Flight:

Guests will be able to sample four distinctive coffees, each representing different growing regions from around the world:

  • Dark Roast: Andytown Coffee Roasters — Wind & Sea (Colombia & Ethiopia)
  • Medium Roast: Equator Coffees — Prime Meridian (Guatemala, Colombia & Brazil)
  • Light Roast: Academic Coffee — Sierra Vista (Ethiopia)
  • Decaf: Mother Tongue Coffee — Yummy Decaf (Peru)

Every cup will be brewed fresh on BrewBird’s whole-bean brewing platform, delivering café-quality coffee at the touch of a button.

Opening Night officially launches San Francisco International Week, a citywide celebration designed to strengthen international relationships, encourage cross-border business, and recognize the diverse communities that make San Francisco a global hub.

The evening will feature food and beverage vendors, live entertainment, cultural exhibitors, and networking opportunities. Tickets are $10 for San Francisco Chamber members and $20 for non-members.

International Week continues August 11–14with programming focused on international trade, innovation, global partnerships, and cultural exchange, alongside events hosted by organizations throughout the city.

About BrewBird:

BrewBird is reimagining coffee for the modern workplace with beautifully designed bean-to-cup brewers that deliver café-quality coffee in about a minute. By partnering with leading specialty coffee roasters, BrewBird combines freshly ground whole beans, one-touch convenience, connected technology, and 100% compostable pods to create an office coffee experience people actually look forward to.

About San Francisco International Week:

Presented August 10–14, San Francisco International Week brings together business leaders, trade partners, consulates, community organizations and the public to build connections, advance cross-border commerce and celebrate the international communities that define San Francisco. For details and registration, visit sfcentered.org.

About the San Francisco Chamber of Commerce:

Founded during the Gold Rush in 1850, the San Francisco Chamber of Commerce is the city’s leading business network, representing businesses of every size, industry and neighborhood. Through advocacy, economic development and business development, the Chamber works to attract, support and grow businesses, advance sustainable economic prosperity and make San Francisco a better place to live and work. For more information, visit sfchamber.com

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Saturday, August 8 Pier Party Returns to San Francisco’s Fisherman’s Wharf

Media Contact:
David Perry / (415) 676-7007 / news@davidperry.com

This Saturday: Free Pier Party brings indie rock, line dancing and country-rock to Fisherman’s Wharf

Anthony Arya, Line Dancing Lisa and DJ Shivers, and Ariel Jean Headline August 8 Waterfront Celebration

Free Series Continues Through September, 
Including Two Pier Party at Sunset Celebrations

5 August 2026 – San Francisco, CA: Ralph Waldo Emerson offered a perfect prescription for summer: “Live in the sunshine, swim the sea, drink the wild air.” This Saturday, August 8, Fisherman’s Wharf invites Bay Area residents and visitors to enjoy the sunshine, Bay air and a free afternoon of live music, dancing and waterfront fun at Pier Party.

Taking place from 2pm to 6pm at Crab Wheel Plaza, the free celebration will feature San Francisco indie folk-rock artist Anthony Arya, an interactive line-dance lesson led by Line Dancing Lisa and DJ Shivers, and country-rock headliner Ariel Jean. The Pier Party bar will serve ready-to-drink premium craft cocktails, with bistro-style seating, dancing and dozens of nearby restaurants, retailers and attractions to explore.

“Pier Party is about giving San Franciscans and visitors a free, welcoming reason to come together, dance and enjoy one of the city’s great waterfront neighborhoods,” said Bri Maughan, Executive Director of the Fisherman’s Wharf Community Benefit District. “This Saturday’s lineup brings together homegrown talent, interactive fun and music that will appeal across generations. We invite everyone to bring family and friends, support our local businesses and make an afternoon of it at Fisherman’s Wharf.”

Anthony Arya opens the afternoon from 2pm to 3:30pm with his signature blend of folk storytelling and contemporary indie rock. Arya first gained national attention with appearances on NBC’s The Voice before graduating from high school and has since released four acclaimed albums, become one of Northern California’s most active touring artists and attracted more than one million Instagram views for songs planned for his fifth album.

Line Dancing Lisa and DJ Shivers will keep the party moving with an interactive lesson designed to get both beginners and experienced dancers on their feet before Ariel Jean takes the stage from 4:30pm to 6pm.

A singer, songwriter, guitarist, composer and Nashville recording artist, Ariel Jean is known for high-energy performances and original country-rock songs. The band has opened for national acts including Sam Hunt, Tim McGraw, Little Big Town, Kip Moore, Tyler Rich and Bryan Martin, and has appeared at Country in the Park, Country Summer Festival and Sacramento’s GoldenSky Festival.

The August 8 event is part of the fourth season of Pier Party, presented by the Fisherman’s Wharf Community Benefit District every second and fourth Saturday through September. Second-Saturday events offer afternoon live music, a Pier Party bar, bistro-style seating and dancing at Crab Wheel Plaza. Fourth Saturdays become Pier Party at Sunset, transforming the Triangle Lot on Taylor Street into a golden-hour gathering place with interactive activations, additional room for dancing and live music through sunset. Both formats are free and open to the public. For all events, ample parking facilities are available within the district, but locals are encouraged to use public transit when possible.

UPCOMING 2026 PIER PARTIES

Saturday, August 8 – Pier Party – 2pm to 6pm

Crab Wheel Plaza
2pm-3:30pm: Anthony Arya
Interactive line-dance lesson: Line Dancing Lisa and DJ Shivers
4:30pm-6pm: Ariel Jean

Saturday, August 22 – Pier Party at Sunset – 5pm to 9pm

Triangle Lot on Taylor Street
5pm-6:30pm: Chuy Gomez
Bachata and Salsa sunset intermission
7:30pm-9pm: Bayonics

Saturday, September 12 – Pier Party – 2pm to 6pm

Crab Wheel Plaza
2pm-3:30pm: DJ JP Breganza
KPOP-Up interactive dance segment
4:30pm-6pm: Magic Nostalgia

Saturday, September 26 – Pier Party at Sunset – 5pm to 9pm

Triangle Lot on Taylor Street
5pm-6:30pm: DJ D Sharp
Special performance: TURFinc

EVENT DETAILS

What: Pier Party

When: Saturday, August 8, 2026, 2pm-6pm

Where: Crab Wheel Plaza, Fisherman’s Wharf, San Francisco

Admission: Free and open to the public

Featuring: Anthony Arya, Line Dancing Lisa and DJ Shivers, and Ariel Jean, plus dancing, craft cocktails, nearby restaurants and retailers, and views of San Francisco Bay

Follow @pierpartysf on Instagram for entertainment and event updates.

For more information and to RSVP, visit pierpartysf.com or fishermanswharf.org.

About the Fisherman’s Wharf Community Benefit District:

Established in 2005, the Fisherman’s Wharf Community Benefit District is a nonprofit public benefit corporation dedicated to promoting, advancing and maintaining Fisherman’s Wharf as a world-class waterfront destination. The FWCBD works to enhance public spaces, support local businesses, improve the visitor experience and celebrate the history, culture and vitality of San Francisco’s most visited neighborhood.

About Fisherman’s Wharf:

Fisherman’s Wharf is one of San Francisco’s most iconic and beloved destinations, known for its historic fishing fleet, seafood restaurants, waterfront views, PIER 39 sea lions, family attractions, maritime heritage and enduring role as a gathering place for locals and visitors from around the world.