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Author: Alfredo Casuso

From the Vatican to San Francisco: A Masterpiece Reimagined

“I am not a painter.” – Michelangelo

These were the reluctant words of the man who would go on to create what is widely considered the greatest artistic achievement in history: the ceiling of the Sistine Chapel.

In 1508, Michelangelo was compelled—some say coerced—by Pope Julius II to undertake the monumental task of painting the chapel’s ceiling. Despite viewing himself primarily as a sculptor, not a painter, Michelangelo spent five grueling years suspended high above the Vatican floor, painting 33 breathtaking frescoes that changed the world of art forever.

From the Vatican to San Francisco: A Masterpiece Reimagined

Over 500 years later, most visitors to the Vatican encounter Michelangelo’s masterpieces in less-than-ideal conditions—massive crowds, strict time limits, no photography, and frescoes so high above it’s difficult to appreciate the details. That was the experience of Martin Biallas, CEO of SEE Global Entertainment, a decade ago.

Inspired and undeterred, Biallas returned with a mission: bring the Sistine Chapel down to earth—literally.

Drawing on his background in immersive exhibits, Biallas and his team licensed high-resolution images of the chapel’s frescoes and developed a proprietary technique to reproduce them on canvas, mimicking the texture and look of true frescoes. The result? A once-in-a-lifetime opportunity to view Michelangelo’s work up close, in vivid detail, and with no time limits—or neck strain.

What You’ll Experience:
Visitors to Michelangelo’s Sistine Chapel: The Exhibition will be awed by the scale and clarity of these reproductions. Unlike the original frescoes, which soar 60 feet overhead in the Vatican, the exhibit places them at eye level, allowing guests to admire the intricacy of each scene and better understand the narrative power of Michelangelo’s vision.

To enhance the experience, guests can download a smartphone audio guide app. Simply point your device at a fresco, and the app identifies key figures and explains their significance—turning the exhibit into both an artistic and historical journey.

Art, Drama, and Legacy:
The stories behind the art are as powerful as the images themselves. Michelangelo worked in solitude, even hurling bricks at a disguised Pope who tried to sneak a peek before the work was done. To perfect his anatomical accuracy, the artist studied cadavers in the morgue. And despite his protests that he was “not a painter,” his ceiling frescoes have endured as some of the most lauded paintings in history.

Twenty years after completing the ceiling, Michelangelo returned to the Sistine Chapel to paint The Last Judgement, a massive wall fresco containing over 400 figures—including a hidden self-portrait. In it, the prophet is seen dragging Michelangelo’s soul upward toward heaven—a reflection of the artist’s inner turmoil and hope for salvation through his work.

To round out your visit, the exhibition includes a short, 10-minute documentary that shares fun facts about Michelangelo and his process. Featuring a humorous narrator and an animated Michelangelo character, it’s an engaging way for all ages to connect with this Renaissance genius.

Plan Your Visit:

Michelangelo’s Sistine Chapel: The Exhibition
Cathedral of St. Mary of the Assumption
1111 Gough Street
Free on-site parking (first come, first served)

June 21 – September 14, 2025
Open Tuesday – Sunday, 10:30am  – 5:00pm (last entry at 3:30pm)
Duration: 60 to 90 minutes

Tickets start at $26 adults / $16 children
Students & military: $18 | Kids 4 and under: FREE
Wheelchair accessible
All ages welcome

Get tickets: chapelsistine.com/exhibits/san-francisco

Come see the art that changed history—from a new perspective.

YBCA Announces Bold Fall Season Celebrating Bay Area Art, Resistance, and Cultural Legacy

Media Contacts:
David Perry / (415) 676-7007 / news@davidperry.com 
Lauren Macmadu / (415) 350-1884 / lmacmadu@ybca.org

YBCA Announces Bold Fall Season Celebrating Bay Area Art, Resistance, and Cultural Legacy

Two new powerful exhibitions—Bay Area Then and MAKIBAKA: A Living Legacy— open honoring Bay Area legends and the legacy of Filipino resilience in SoMa

June 17, 2025 – San Francisco, CA: Yerba Buena Center for the Arts (YBCA) proudly announces its Fall 2025 season, a dynamic lineup of exhibitions, performances, and community events. Opening August 1, Bay Area Then and MAKIBAKA: A Living Legacy headline the season, each spotlighting the region’s creativity, activism, and restless imagination. 

Bay Area Then showcases work by 21 artists who forged a new creative legacy for the Bay Area in the 1990s. With monumental wall installations, stunning photographic portraiture, and a labyrinthine passage that culminates in an outdoor stage, the exhibition pulses with the electrifying energy of the era.

Including both new and historical works by artists whose influence is still notable today, Bay Area Then features Nao Bustamante, Carolyn Castaño, Bill Daniel, Sergio De La Torre and Chris Treggiari, Beatrix Fowler, Mike “Dream” Francisco, Johanna Jackson, Chris Johanson with Ajax Oakford, Arnold Kemp, Margaret Kilgallen, Josh Lazcano, Alicia McCarthy, Barry McGee, Ruby Neri, Manuel Ocampo, Eamon Ore-Giron, Gina Osterloh, Rigo 23, Spie One, and others. The exhibition is organized by guest curator Eungie Joo, who has worked with many of these artists since the late 1990s, and was recently honored as an Art Basel Awards Medalist for her rich curatorial practice. 

Bay Area Then is a stirring and timely reminder that the Bay Area has always revived and regenerated itself,” said Mari Robles, CEO of YBCA. “This region is home to artists who push culture, and I can’t wait to gather such legendary San Francisco artists in our galleries, especially since many launched their careers at YBCA.” 

Opening concurrently, MAKIBAKA: A Living Legacy boldly celebrates the culture, contributions, and presence of the Filipino community in the South of Market (SoMa) neighborhood and Bay Area. Presented by SOMA Pilipinas in collaboration with YBCA, and inspired by the Filipino term for collective resistance, MAKIBAKA brings together contemporary artworks alongside community-held objects, memories, and movements. 

“MAKIBAKA: A Living Legacy is a reclaiming of our shared story, one woven from generations of defiance, of holding ground, and building home in the face of racism and displacement. It honors the beauty and resilience of our culture and lineage of resistance. In this moment of  rising authoritarianism, it stands as both a celebration and a call—to remember, to resist, and to keep creating and fighting for the future we deserve,” said Raquel Redondiez, SOMA Pilipinas Director.

The exhibition showcases remarkable intergenerational creative expression which defies easy categorization. The exhibition is timed to coincide with beloved community festivals, Pistahan and the Parol Lantern Festival, both returning to YBCA this fall. MAKIBAKA, co-curated by SOMA Pilipinas and Trisha Lagaso Goldberg, features artists including Erina Alejo, Kimberly Acebo Arteche, England Hidalgo, Johanna Poethig, Weston Teruya, Lucille Tenazas, Jenifer Wofford and more. 

“I am thrilled to present these powerful exhibitions at YBCA,” said Robles. “I’m so proud to continue our partnership with SOMA Pilipinas, hosting their show alongside annual events Pistahan and the Parol Lantern Festival this fall. Both MAKIBAKA and Bay Area Then demonstrate YBCA’s commitment to supporting the Bay Area’s artistic communities and its fierce creative voice.” 

YBCA’s fall season will also feature an exciting lineup of performances at the Blue Shield of California Theater at YBCA. Acclaimed companies such as Alonzo King LINES Ballet, Diaspora Arts Connection, Lamplighters Music Theatre, ODC/Dance Company, and Smuin Contemporary Ballet will return to the stage at YBCA. Public programs and artist talks tied to the exhibitions will be announced soon.

YBCA programs are made possible in part by Blue Shield of California, the City and County of San Francisco, The William and Flora Hewlett Foundation, Institute of Museum and Library Services (IMLS), San Francisco Office of Economic and Workforce Development, Bloomberg Philanthropies, Helen Frankenthaler Foundation, James R. Lilienthal Trust, California Arts Council, Yerba Buena Partnership, Meridee Moore, Beard Family Foundation, Schwab Charitable Fund, Gaia Fund, David and Carla Crane Foundation, Andrew Skillman and Lydia Choy Charitable Fund, Amy and Hannah Eliot, Maria Kim, Tides Foundation, Wayee Chu and Ethan Beard, Amanda Minami, Klau Family Fund, Peter Rigano and Cody Hicks, Harvey and Leslie Wagner Foundation, Robert and Junko Kenmotsu, The San Francisco Foundation, and YBCA Members.

For more information visit www.ybca.org.

About YBCA:
Opened to the public in 1993, Yerba Buena Center for the Arts (YBCA) was founded as the cultural anchor of San Francisco’s Yerba Buena Gardens neighborhood. Our work spans the realms of contemporary art, performance, film, civic engagement, and public life. By centering artists as essential to social and cultural movement, YBCA is reimagining the role an arts institution can play in the communities it serves. For more information, visit ybca.org.

YBCA is open Wednesday through Sunday from 11:00am to 5:00pm. General admission is $10, and $5 for students and seniors. Tickets can be purchased in person or reserved in advance at ybca.org. Admission is free every Wednesday and on the second Sunday of each month. 

# # #


Arnold J. Kemp
Stage, 2024
cut and sanded plywood, 40 parts
variable dimensions

Ruby Neri
The White Mare, 2024
acrylic on canvas
84 x 72 x 1 1/4 inches
(213.4 x 182.9 x 3.2 cm)
(RN 24.009)
Photo: Jeff McLane

Courtesy of the Artist and David Kordansky Gallery

Carolyn Castaño
Chondua (Sierra Nevada de Santa Marta), 2023

A Rave Review for David Church’s “Thomas Edison & The Magi Solution”

A Rave Review for David Church’s “Thomas Edison & The Magi Solution”

Reviewed by Jefto Pierre for Readers’ Favorite

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Get your copy today at EdisonTrilogy.com

Set in 1945 in America and London, David Church’s Thomas Edison and the Magi Solution follows the tale of John Dawkins, an inventor’s assistant, drafted by President Roosevelt for a high-stakes mission. 

When Hitler collaborates with Satan to obliterate the entire world, it is up to John to stop this diabolical madman. John takes this daring fight from the United States to London with the help of his wife (Sophie), his young son (Joshua), the spirit of Thomas Edison, who inhabits his son’s body, and Noel Coward, a secret agent who doubles as a well-known actor. After a series of thrilling and dangerous events, John and his team must embark on their most shocking feat yet. They must breach Hell itself to gain the assistance of the three Magi, the only ones capable of beating Hitler at his own sinister game.

In Thomas Edison and the Magi Solution, David Church presents readers with a carefree adventure that unravels at breakneck speed. This brilliantly crafted novel is hard to put down once you’ve started to read it. 

The author is highly inventive in the way he brings John and Edison’s exciting journey to life. Every adventurous event is depicted down to the most minute detail. As a reader, you will experience every shock, thrill, sensation, and danger. I love the ensemble of characters, drawn from real-life historical figures from the past. As such, personalities like Thomas Edison, Noel Coward, Eleanor Roosevelt, Winston Churchill, Harry Truman, and Rudolf Hess grace us with their performances and captivating energy. 

This unforgettable tale is the perfect mix of humor, historical fiction, science fiction, and fantasy. It will certainly keep you company throughout your week. Fans of these genres are sure to love it!

International Pride Orchestra Triumphs at Strathmorewith Historic WorldPride Concert June 5

media contact: David Perry & Associates, Inc. / (415) 676-7007 / news@davidperry.com

International Pride Orchestra Triumphs at Strathmore
with Historic WorldPride Concert June 5

Event Draws Standing Ovation After Concert of American Composers and LGBTQ+ Celebration of Community and Resilience

17 June 2025 – Bethesda, MD: In a stirring, joy-filled performance that fused artistry, activism, and LGBTQ+ pride, the International Pride Orchestra (IPO) thrilled a near-capacity audience at the Music Center at Strathmore in North Bethesda, Maryland, on Thursday, June 5. Presented as an official WorldPride partner event in collaboration with the Capital Pride Alliance, the concert was a centerpiece of WorldPride DC 2025 and featured a powerful collaboration with the Gay Men’s Chorus of Washington, DC, with proceeds benefiting Whitman-Walker, a leading provider of LGBTQ+ health care and advocacy.

“This performance reminded us all of the power of visibility, and how music can inspire, heal, and energize our fight for equity and inclusion,” said Michael Roest, founder and Artistic Director of the International Pride Orchestra. “Our performers were dressed to express and brought their full selves to the stage, showing the beauty of a community united in sound.”

The evening’s host, San Francisco–based drag icon Peaches Christ, brought her signature blend of camp and charisma to the stage, guiding the audience through the program with razor-sharp wit and unapologetic presence.

Roest was joined on the podium by Bonnie Alger, Dr. Thea Kano, and Robert Moody, conducting a dynamic program that boldly opened with Jennifer Higdon’s “Skyline” from City Scape, followed by a poignant performance of Aaron Copland’s Tender Land Suite. The first half concluded with renowned pianist Sara Davis Buechner, who dazzled the audience with a virtuosic rendition of George Gershwin’s Rhapsody in Blue.

The second act unleashed the orchestra’s percussion section with an exuberant performance of Clarice Assad’s Brazilian Fanfare. Drag violinist and RuPaul’s Drag Race star Thorgy Thor then joined the orchestra along with the Gay Men’s Chorus of Washington, DC and tenor Freddie Ballentine for a deeply moving rendition of Ann Callaway’s “I Love You More.”

Under the direction of Dr. Kano, the Gay Men’s Chorus of Washington, DC brought emotional gravity to the program with Matthew Felbein’s Steeled and Pax Ressler’s Banned Together, along with a showstopping performance of “Make Them Hear You” from Ragtime.

The concert’s finale offered a powerful vision of inclusive patriotism. As the orchestra and chorus performed America, the Beautiful, a procession of drag performers entered the hall bearing American and Pride flags, flanking the stage in a moving display of unity.

“This is what real pride and patriotism looks like,” said Luke Spence, IPO General Manager and trumpet player. “I will never forget the feeling of walking down the aisles with fellow drag queens to America, the Beautiful—American and Pride flags in hand—and seeing audience members in tears.”

The event marked the culmination of a weeklong festival of rehearsals, community-building, and queer joy across Washington, DC. In addition to uniting LGBTQ+ musicians from around the world, the concert raised funds and awareness for Whitman-Walker, a respected leader in LGBTQ+ health care, research, and advocacy. Ticket prices ranged from $35 to $75, with a portion of the proceeds directly supporting the organization’s vital work.

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Link to Press Photos >

Friday the 13th

Friday the 13th has come down in history as a “bad luck day.” The source of that was Friday, October 13, 1307, when King Philip IV of France ordered the arrest of hundreds of Knights Templar. Many were tortured or executed—an infamous and dark day in medieval history. 

Yesterday’s Friday the 13th was full of fearful and violent news: riot, war and a rain of Middle East missiles. Then, this morning as scores of Americans take to the streets to exercise our Constitutional right to protest our government, comes news of an overnight political assassination in Minnesota. The CNN “Breaking News” chyron could really use a vacation. I have yet to rouse myself from bed. 

In times like this, sometimes art can express emotions better than, well, emotion. Today, it’s this warning from “Star Trek Strange New Worlds”. Since I was a boy, I’ve always loved “Star Trek” because its hopeful message showed that “we made it.” However, at the moment, we’re very much in a 21st century nonfiction closely resembling a fictional vision that led to that peaceful future. May we yet avoid it.